city Hong Kong: Celebs Rumors

Reuters, no previous Gay Games had fewer than 8,000 participants.But the week prior to the event, only 2,381 athletes had registered to play in Hong Kong, and only 2,458 participants had registered for Guadalajara.The opening ceremonies of the Gay Games last Thursday drew criticism from local anti-LGBTQ conservative politicians, eight of whom backed a petition circulated by anti-LGBTQ groups demanding the Gay Games’ cancellation due to fears of spreading “Western ideology,” reports CNN.Junius Ho, a firebrand conservative lawmaker, suggested that the Gay Games violate provisions within the country’s new national security law that prohibit foreign powers from interfering in Hong Kong’s governance. This is based on the idea that support for homosexuality is a form of Western imperialism and is too closely connected with pro-freedom movements that have warred with China’s Communist-led government.Another lawmaker, Peter Shiu, accused the event of being overly politicized and a form of “advocacy” that was an attempt to impose Western values on Chinese society.Organizers of the Gay Games rebutted those claims, arguing that the event is a non-political celebration of inclusivity.“All our books have been checked by professional accountants, open and transparent,” Lisa Lam, the co-chair of Gay Games, said at a kickoff event last Thursday.

EXCLUSIVE: Los Angeles-based distributor Orchid Tree Media has acquired North American rights to Anastasia Tsang’s A Light Never Goes Out, which is Hong Kong’s submission for Best International Feature at the Oscars. A theatrical release is being lined up in select cinemas. 

Patrick Frater Asia Bureau Chief CJ ENM Hong Kong, a unit of South Korea’s CJ ENM, has signed a memorandum of understanding with the Taiwan Creative Content Agency (TAICCA), Far EasTone Telecommunications (FET) and local TV network – TVBS to launch a multi-year content fund that would support the co-production and joint distribution of audiovisual content. The “strategic alliance” combines assets including production, distribution and marketing, media networks and technology.

EXCLUSIVE: Golden Globe winner Emma Corrin (The Crown) and Cesar nominee Lucie Zhang (Paris, 13th District) are set to star in Jenny Suen’s English language feature debut Peaches, which Coco Francini (Fingernails) will produce and Oscar winner Cate Blanchett and Andrew Upton will executive-produce for Dirty Films.

Naman Ramachandran Lila Aviles‘ “Totem” has won the global feature award at the annual Jakarta Film Week. The film previously won awards at the Berlin, Hong Kong, Durban and Beijing film festivals. The direction award for best Indonesian feature film went to Jeremias Nyangoen’s directorial debut “Women of Rote Island.” The film bowed at Busan earlier in October.

Naman Ramachandran Chinese superstar actor and producer Fan Bingbing will be the 2023 recipient of the Singapore International Film Festival‘s (SGIFF) Cinema Icon Award. The festival will screen three of Fan’s films, curated by her – the recent “Green Night,” “Buddha Mountain” and “Double Xposure” – and the star will walk the red carpet on opening night, Nov. 30.

Peter Debruge Chief Film Critic In America, doing what Andy Lau does in Hong Kong film industry satire “The Movie Emperor” would likely net him an Oscar nomination. Or at least an MTV Movie Award.

Guangzhou-based director Choy Ji has filmed Hong Kong from a perspective we’ve rarely seen before in his debut feature Borrowed Time, which played at Pingyao film festival this week after screening in Busan’s New Currents competition. 

A popular TV channel in Hong Kong has made a union with a family-owned wedding, tourism and hospitality business.

Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and rights sales company, has added a Hong Kong remake of classic film “Tape” and the LGBT comedy-drama “ASOG” to its bulging sales slate at the AFCM market that accompanies the Busan Intenational Film Festival. “Tape” tells the story of three best friends who, following an event at a graduation party that transforms their lives, reunite 15 years later where a case of blackmail forces them to confront a terrible secret from their past. The original film starred Ethan Hawke, Uma Thurman and Robert Sean Leonard and played at the Sundance, Toronto and Rotterdam festivals.In the Cantonese-language remake directed by Bizhan Tong, Selena Lee, Kenny Kwan, and Adam Pak play the contemporary characters while Mason Fung, Summer Chan, and Angus Yeung portray the characters’ younger versions. The script is written by Stephen Belber, Tong, Lee and Bonnie Lo, and is an adaptation of Belber’s own scripts from both the original film and stage play. The writers and director have significantly modernized the script to reflect advances in technology. Producers on the film include Tong, Lee and Belber.

Hong Kong star Chow Yun-Fat, attending Busan International Film Festival where he has been named Asian Filmmaker of the Year, talked about the challenges facing Hong Kong cinema at a press event today. 

Patrick Frater Asia Bureau Chief Feted in Busan this week as the Asian Filmmaker of the Year, Hong Kong superstar Chow Yun-fat bemoaned censorship in China for its impact on the film industry. “We have a lot of censorship requirements in mainland China. Scripts must go to many departments. So, we need [to portray] clear situations in scripts.

Addie Morfoot Contributor Abramorama has acquired North American theatrical rights to Luke Lorentzen’s feature-length documentary “A Still Small Voice.”The pact comes after the film made its world premiere earlier this year at the Sundance Film Festival, where Lorentzen received the Directing Award: U.S. Documentary. In 2019 Lorentzen’s “Midnight Family” made the Oscar feature doc shortlist.The 93-minute film, which explores the world of hospital chaplains and the vital emotional and spiritual support they offer patients, families, and staff, will begin its nationwide theatrical rollout at New York City’s DCTV’s Firehouse Cinema on Nov.

Patrick Frater Asia Bureau Chief Canadian investment group Letko Brousseau & Associates and Imax Corporation have clashed over July’s proposed move to take private Imax China, which currently has a separate share listing in Hong Kong. Letko, which owns some 1.7% of Imax China shares, on Friday announced that it will vote against the proposal. It argues that the offer “significantly undervalues Imax China” and “unjustifiably benefits Imax Corporation at the expense of minority investors.” Imax currently owns nearly 72% of Imax China stock and is offering HK$10 per outstanding share valuing the unit at $124 million. “The timing of the offer is opportunistic and comes as [Imax China] is beginning to emerge from the global COVID-19 pandemic that has kept a significant portion of its theatres closed over extended periods of time from 2020 to 2022, said Letko.

William Earl Visual effects firm Digital Domain and Production Resource Group have teamed to expand the menu of vfx and post-production services offered by both firms. Digital Domain and PRG together aim to offer clients one-stop-shopping for high-end visual effects, holograms, virtual production and other content creation-related services. The new partners bill the deal as a “co-branded” arrangement that extends the reach of both firms.

Stockport is gearing up to host its first Full Moon Festival later this week as the town comes together to host three-days of colourful celebrations.

Patrick Frater Asia Bureau Chief Hong Kong Disneyland has confirmed Nov. 20 as the opening date for the World of Frozen themed land based on the hit animated movies “Frozen” and “Frozen 2.” And, with two months until opening, first look images are now being released. The cinematic land of Arendelle contains attractions that enable guests to participate in Summer Snow Day, the day that the film’s Princess Anna saved Elsa and the kingdom with an act of love, meet Elsa at her Ice Palace, board Wandering Oaken’s Sliding Sleighs and enjoy an interactive play experience with the characters at Playhouse in the Woods. The films’ Anna, Elsa and Kristoff characters are represented by fully-electric ‘Audio-Animatronics’ figures, which Walt Disney Imagineering says are its most advanced. Visitors to the land can wear rosemaling patterned clothes, add glittering ice-inspired face paint, style their hair like Elsa or wear a cape like Anna. Landmarks within the new land include: North Mountain, with its peak as the highest point in Arendelle; the Ice Palace where Elsa unleashes her icy powers freely for the first time; Arendelle Castle, home of the royal family; the Bay of Arendelle, featuring the small fishing boat that Anna fell on when she met Prince Hans; Clock Tower where Anna danced with Hans; and Friendship Fountain where Elsa uses her magical powers to freeze its water into snowflake ornamentations. There are new retail and food and beverage facilities, as well.

EXCLUSIVE: Brightburn producer The H Collective is launching H3 Entertainment, a company it says will look to integrate the Metaverse, Web3 and AI into a slate of films.

Note: This review is based on episode five of a six-episode miniseries, which Apple, A24, and TIFF decided to show to audiences publicly. It’s not a particularly encouraging sign when a movie begins with the insipid, high-glucose feel-goodery of “Roar” by Katy Perry, but the song selection is indicative of mercifully little for “Central,” Lulu Wang’s otherwise downbeat constellation of loneliness among strangers in the strange land of Hong Kong.

EXCLUSIVE: Filmmaker Lulu Wang’s The Farewell had opened to acclaim at Sundance when Nicole Kidman got in touch and said, “I have this book that I optioned and you’re really the only director that I want to make this.”

Patrick Frater Asia Bureau Chief “No More Bets,” the smash hit Chinese crime thriller that has earned more than half a billion dollars in its home market, is hurriedly adding new territories to release. It will release in the U.K. and Ireland from Friday through distributor Trinity Cine Asia.

Patrick Frater Asia Bureau Chief Renowned Hong Kong actor Tony Leung Chiu-wai ditched his quiet, brooding persona on Saturday in Venice, where he is to receive a Golden Lion Lifetime Achievement Award. Instead, at a press conference in his honor, Leung positively gushed about his upcoming first European movie role and about the strengths of the “golden era” acting training he received in Hong Kong in the 1980s. Leung has made a speciality of saying little in many of his films.

The Hong Kong International Film Festival Society (HKIFF Society) and CAA China are launching a joint initiative to foster Chinese-language genre projects.

Patrick Frater Asia Bureau Chief CAA China has teamed up with the Hong Kong International Film Festival Society to unveil a joint initiative that will foster Chinese-language genre film projects. The HGC initiative will operate an open call for projects from Monday until the end of October.

Patrick Frater Asia Bureau Chief The main competition section of the Busan International Film Festival is set to showcase two new features from Bangladeshi directors, the feature debut of Japanese documentary maker Mori Tatsuya and ruminations on Hong Kong by mainland Chinese director Choi Ji. The festival on Wednesday unveiled its New Currents competition section, reserved for films by directors making their first or second works of fiction, as well as its Jiseok section, a showcase for somewhat more established Asian auteurs. In addition to the Bangladesh duo, New Currents includes two films from Japan, two from Korea and one each from China, Thailand, Malaysia and India. From Bangladesh, Iqbal H. Chowdhury’s “The Wrestler” sees an old fisherman challenge a wrestling champion to combat, and in “The Stranger” Biplob Sarkar tells a coming-of-age, gender-identity tale. From Japan, Mori recounts the events of the Great Kanto earthquake in “September 1923,” while Yamamoto Akira delves into profound and shocking love in “After the Fever.” New Currents’ Korean contributions come from Lee Jong-su, whose “Heritage” tracks a man who opts out of military service and his supervisor, and Sohn Hyun-lok, whose “That Summer’s Lie” blurs truth and fiction in memories of a past romance. India’s Rajesh S.

Love island star Paige Thorne stunned her fans by posting a rare picture of her natural curly hair.The paramedic-turned-influencer, 25, grinned as snapped a quick selfie on her Instagram story. “Curly hair don’t care,” Paige, who recently opened up about her relationship woes, wrote underneath the photo.

EXCLUSIVE: Hong Kong-based producer Tsui Hark has boarded the ship as partner and co-producer of the Chinese pirate epic Shih, Queen of the Sea. Hark will partner with Anthony McCarten, Dakota Group and Facing East.

Elsa Keslassy International Correspondent Tony Leung Chiu-wai, the Hong Kong star of “In the Mood for Love” and Marvel’s “Shang-Chi and the Legend of the Ten Rings,” has joined the cast of “Silent Friend” by Oscar-nominated Hungarian director Ildiko Enyedi (“On Body and Soul”). Leung will be honored at the Venice Film Festival, where he will receive a Golden Lion for Lifetime Achievement. He previously starred in three movies that have won the Venice Golden Lion: “A City of Sadness” (1989) by Hou Hsiao-hsien, “Cyclo” (1995) by Tran Anh Hung and “Lust, Caution” (2007) by Ang Lee.

Variety Staff Follow Us on Twitter Today, TIFF announced additional honourees who will be receiving a TIFF Tribute Award at this year’s Festival. Recipients include award-winning Brazilian filmmaker Carolina Markowicz who will be honoured with the TIFF Emerging Talent Award presented by MGM. This award is in the spirit of Torontonian Mary Pickford, the groundbreaking actor, producer, and co-founder of United Artists, whose impact continues today.

TIFF has begun announcing their Conversation With… (ICW) series for this year’s fest with Oscar winner Pedro Almodóvar, Hong Kong actor Andy Lau and Concrete Utopia Korean stars Lee Byung-hun and ParkSeo-jun set to sit down for chats.

A social media stuntman has died doing what he was famous for — performing a high-stakes climb on a high rise.

Fans of singer and songwriter Coco Lee, who was known for her powerful voice and live performances, were gathering with flowers to pay their respects to their idol at her funeral in Hong Kong on Monday.The evening services were expected to be attended by her family, friends and supporters. Lee died July 5 at age 48.She was born in Hong Kong and attended school in San Francisco before releasing her first album in 1994 at age 19.

Fans of late martial arts legend Bruce Lee, who broke negative stereotypes around Asian men in films, gathered in Hong Kong this week to commemorate their idol’s death half a century ago, remembering his legacy and his life philosophy on persistence. Lee, who was born in San Francisco but raised in the Asian financial hub, was famous for his martial arts talent and his fight against racist portrayals of Asians on big and small screens in the 1960s and 70s. He died at the height of his fame due to an allergic reaction to painkillers when he was 32.

Patrick Frater Asia Bureau Chief Exports of K-pop albums increased by 17% year on year to reach an all-time record of $133 million in the first six months of the year. The U.S. is now the second biggest overseas market for Korean music worth $25 million, having overtaken China, but still trailing Japan ($48 million), according to data from the Korea Customs Service. The next largest were Germany, Taiwan, Hong Kong, the Netherlands, Canada, the U.K. and France.The record was achieved despite the absence of BTS as a group (though BTS members Jimin, and Suga put out solo efforts) and saw Stray Kids, Tomorrow X Together, Seventeen, Ateez and Twice all make an international impact.

A Lanarkshire hairdresser was a cut above the rest as he styled the stars at TRNSMT.

Owen Gleiberman Chief Film Critic When you go to a movie called “The Modelizer,” you tend to assume certain things about your protagonist: that he’ll be a smooth-talking pricelessly well-dressed cad, one who values women too much for certain assets (their looks) and not enough for others (everything else), and that the film will be engineered to give him a comeuppance. All that is true of “The Modelizer.” What you don’t expect is that the movie, in this case, is going to take all that sexist-swinger-as-master-of-the-universe stuff and put it on steroids. “The Modelizer” is set in Hong Kong, which the movie keeps reminding us is the most expensive city in the world. The hero, Shawn Koo (Byron Mann), is the scion of an outrageously wealthy Chinese real-estate family; they own one-third of the property in the city. Shawn, who sees each of his parents once a month and serves as their company’s managing director (basically a show title, since they control everything), lives a life of carefree jet-set hedonism, dating a different fashion model every week.