How Jessica Chastain’s ‘George and Tammy’ Costumes Took Her on a Journey Across the Eras of Country Music

Indiana Jones and the Dial of Destiny.”Mohammed Kamel, 46, was “one of the bad guys” who had the honor of being struck with a booze bottle by none other than “Fleabag” actress Phoebe Waller-Bridge.And the six-week stint, he revealed, earned him a bigger paycheck than his role as an educator.“What you make in a month teaching, you do that in a week or five days of acting,” Kamal, who comes from “humble beginnings,” told Metro UK. “It’s four times or five times as good.

Ezra Miller has released a lengthy statement after a harassment order against them was lifted.

Jeanell English is leaving the Academy of Motion Picture Arts and Sciences less than a year after being named to the newly post of EVP Impact & Inclusion. She had been with the group since joining as VP Impact & Operations in 2020.

On the same day ESPN ran special extended coverage of player comings and goings during NBA Free Agency, about 20 of the network’s top on-air talent found out they would be on the move, as well.

When Midnight Cowboy came out in 1969, Miami Herald critic John Huddy heralded its arrival with a string of superlatives: “Staggering, shattering, heartbreaking, hilarious, tragic, raw and absurd.”

Taylor Swift, Britney Spears, Dolly Parton and Adele were among a group of artists who protested outside Meta’s London offices yesterday. Not the actual artists, obviously, but a group of tribute acts.

Jazz Tangcay Artisans Editor When composer Thomas Newman was having early conversations about the music of Pixar’s “Elemental,” he looked for a connecting thread between the film’s imaginary world, where elements are characters, and the human world. “I looked for similar issues of otherness and how that could be reflected in music, and how we would identify with that through our human ear,” says Newman. His approach to cracking the score was about applying a “musical color,” and association to the universal themes. When he looked at scenes and the vibrant colors of “Elemental,” what did his ears hear sonically, and did that match what his eyes were seeing?

Jazz Tangcay Artisans Editor When stunt coordinators Tim Connolly and Hank Kingi Jr. first read the script for the pilot of FX’s “The Old Man,” they thought its central chase sequence was one of the best-written scenes in TV. Then, their minds flooded with “a ton of concerns.” Speaking with Variety as Emmy voting comes to a close, Connolly says their challenge was: “How do you pull such a significant scene off with an actor that is 70 years old, and make it feel real and visceral?” So Jeff Bridges prepared for the scene for over a month. In the series, he plays Dan, a rogue CIA operative on the run after being discovered by the FBI. The pilot climaxes with Dan trying to outrun a tail. He seemingly disappears, but before the agents can react, he comes out of nowhere and crashes his car, staving off any fightback from the FBI agents chasing after him.

Jazz Tangcay Artisans Editor As Emmy voting comes to a close, score mixer Phil McGowan could find himself with multiple nominations, having worked on the sound of Paramount+’s “Star Trek: Picard,” Netflix’s “Cobra Kai” and “Ozark,” and Roku’s “Weird: The Al Yankovic Story.” He spoke with Variety about his approach to each project and what needed to be taken into consideration to preserve the sonic integrity in his mixes. “This season was bigger and more maximal than previous seasons, but there wasn’t a big sonic shift. However, each episode is like a movie. Composers Leo Birenberg and Zach Robinson approach it like it’s another ‘Karate Kid’ film. There are guitars, a drum kit, drum machines and lots of percussion. They use a lot of samples that are reminiscent of the 1980s and ’90s. So, I have fun applying mixing techniques with reverb that blends ’80s hair metal and ’90s pop music along with big orchestral symphonic sounds on the show.”

Elton John raised the roof at Glastonbury last night in what could be the Rocketman singer’s last ever performance, and he was watched by more than 7M viewers on the BBC.

Simply the best. On Sunday night, Patti LaBelle paid tribute to her late friend and musical icon, Tina Turner, with a soul-stirring performance during the BET Awards.

Often regarded as the must-attend music event of the year, Glastonbury is easily one of the most widely renowned and globally recognised music festivals on the planet. From humble beginnings in 1970, the Somerset based festival has grown year on year, with a countless slew of big names taking to the stage to delight fans, including the likes of David Bowie, Dolly Parton, and even Beyoncé.

Jazz Tangcay Artisans Editor RuPaul’s go-to costume designer Zaldy Goco, who goes by Zaldy, has worked with the “Drag Race” superstar for over a decade and is no stranger to designing Ru’s show-stopping outfits. For RuPaul’s Season 15 finale look, Zaldy — whose trust with RuPaul runs so deep, they don’t even discuss finale looks prior to fittings — tells Variety he wanted it to feel “goddess-like and for Ru to float in.” Zaldy knew he wanted a unique color, so the three-time Emmy winner settled on a citrine and chartreuse combination that screamed springtime. For some extra sparkle, he added metallic fringe to the dress from Swiss fabric manufacturer Jakob Schlaepfer.

Jazz Tangcay Artisans Editor “Saturday Night Live” production designers Leo Akira Yoshimura and Keith Raywood work at breakneck speed under extraordinarily tight schedules to ensure sets for the timely satire are camera-ready each week — with changes being added right up to the very last minute. Raywood, who began as a production designer on the show in 1985, will often start crafting sets late on Wednesday nights. “This show is writer-driven. It all starts with the script,” he says. “One show can haveless complexity to it and fewer special effects are involved, but we never know until it’s handed to us on Wednesday night.” Other sets will be used for two to three scenes. When Yoshimura introduces people to the show, whether it’s cast or friends visiting, they always comment on the stage size — Studio 8H is just over 6,000 square feet, including space for audience seating — or remark on how swiftly the crew shifts scenery.

Patrick Frater Asia Bureau Chief The 28th edition of the Shanghai TV Festival wrapped up on Friday with its Magnolia Awards presented to a range of TV drama series, documentaries and animation programs. The drama awards were dominated by two shows “A Lifelong Journey” and “Bright Future.” “A Lifelong Journey,” adapted from a novel of the same name by Liang Xiaosheng, tells the story of three generations of one family in China’s Northeast as time moves from the late Cultural Revolution period through to the country’s reform and opening up. With a starry cast and broadcasters including CCTV-1 and Jiangsu Satellite TV, the show is reported to have attracted 310 million viewers at the beginning of 2022. In mainland China, it ran for 58 episodes, while in Hong Kong it played in 35 parts.

Jazz Tangcay Artisans Editor REO Speedwagon’s “Time For Me To Fly” plays out in the very last scene of the final episode of ABC’s long-running sitcom “The Goldbergs.” The 1978 hit plays as the titular family gather together and imagine what the future will bring. Mojo co-founder and COO Peter Shane acquired REO Speedwagon’s publishing catalog in 2019, and because of longstanding relationships with both the band and “The Goldbergs” music supervisor Ann Kline, the process to clearing the song was a swift one. Having been in the business for over 25 years, Shane’s closest collaborations are with music supervisors. “We work with them at all stages,” he says. “The beginning, middle and end, when music is being considered for projects.”

Jazz Tangcay Artisans Editor Issa Rae’s ‘Rap Sh!t” focuses on female friendships, but also female rappers and the challenges facing women in a male-dominated industry. For music supervisors Sarah Bromberg and Philippe Pierre, that meant pulling together a soundtrack of artists that not only reflected Miami’s rap scene but also the strong ties between its main characters. In the Max show, Shawna (Aida Osman, also a writer on the series) has been chasing fame as a solo rapper, and she reunites with her friend Mia (rapper Kamillion) to form a rap duo. Together they navigate success, friendship and the lively city of Miami. Here, Bromberg and Pierre break down key needle drops in the series and how they spent months trying to clear a Drake song, as well as having to change an original song at the last minute due to clearance issues.

Jazz Tangcay Artisans Editor Focus Features and Working Title have released the first trailer for Ethan Coen and Tricia Cooke’s comedy caper “Drive-Away Dolls.” The comedy is set to open in theaters on Sept. 22. The film follows Jamie, played by Margaret Qualley, who is an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian (Geraldine Viswanathan), who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals. Speaking with Variety, Coen described the film as “filthy fun” and a “chase intrigue movie. In one word, it’s a comedy.”

Jazz Tangcay Artisans Editor Just last May, the world got to experience a real-life coronation when King Charles ascended to the throne. Over on Shondaland’s new Netflix series “Queen Charlotte: A Bridgeton Story,” there was a coronation too that needed to take place, and it was up to production designer David Ingram to create one. When it came to pulling off Queen Charlotte’s (played by India Amarteifio) coronation, Ingram considers it fortunate that the show was shot in the U.K. “We could get the carriage,” Ingram says, stressing it was a replica one. “We could hire it and adapt it. We were able to reupholster it and repaint it.” But the golden carriage was the least of his problems. The challenge was how to approach Westminster Abbey, traditionally used for real coronations, weddings and funerals, about how to shoot the scene.

Jazz Tangcay Artisans Editor Transforming Disney’s award-winning animated feature “Encanto” into a live experience at the Hollywood Bowl in front of an audience of 17,000 people was no easy feat, with factors such as the pandemic, limited access to the venue and unexpected weather conditions all in play. But the production team, cast and crew pulled it off in under 72 hours, delivering a Broadway-quality experience. Unlike a Broadway show, the original voice cast, scores of dancers and production team did not have the luxury of rehearsing at the Bowl. Gabe Turner, executive producer of the event, said, “We could only gain access to the Bowl for four days before we were due to welcome our dancers, orchestra and cast into the space.”

Jazz Tangcay Artisans Editor National Geographic’s “A Small Light” takes the well known story of Anne Frank, the Jewish teenager who hid in a cramped Amsterdam attic with her family during the Nazi occupation, and presents it though a new lens. The narrative focuses on a tenacious young woman, Miep Gies (Bel Powley), Otto Frank’s secretary, who risked everything to save the Frank family and many others. While the story centers around the horrors of World War II, the story finds resilience and hope through it all. Here the artisans behind the limited series break down how their respective crafts reflect hope, resilience and the atrocities of war.

Jazz Tangcay Artisans Editor Composer Sherri Chung admits she was late to the “Gremlins” party — only because she was too young and found it too scary. But when she grew older and was reintroduced to the movie, she thought “it was the greatest thing ever.” The 1984 film, as well as Jerry Goldsmith’s score, became a key inspiration for her. So when she got the opportunity to score Max’s new animated series “Gremlins: Secret of the Mogwai,” directed by Tze Chun, she decided to “lean into the scary and the fear, but also the emotion” with her music. The series is an origin story that gives a partial explanation as to how Gizmo ends up in a Chinatown antique store at the beginning of 1984’s “Gremlins.” To add a Chinese element to the score, Chung used bamboo flutes, but the meat of the score came from the erhu, a two-stringed bowed musical instrument sometimes referred to as the “Chinese violin.”

Bebe Rexha fell to the floor after being hit in the face with a cellphone during her gig in New York City on Sunday night.

Dolly Parton has shared a new song with Judas Priest‘s Rob Halford and Mötley Crüe‘s Nikki Sixx – listen to ‘Bygones’ below.The track is the latest preview of the country legend’s forthcoming rock album ‘Rockstar’, which is set for release later this year.The album will feature nine original songs and 21 covers of rock classics such as Heart‘s ‘Magic Man’, Prince‘s ‘Purple Rain’, The Rolling Stones‘ ‘(I Can’t Get No) Satisfaction’ and many more. The tracklist is a rock lover’s dream as the majority of the songs feature many of the greats including Sting, Stevie Nicks, Debbie Harry, Steve Perry, Joan Jett & The Blackhearts and others.‘Magic Man’ has also been shared this week alongside the release of ‘Bygones’. It’s a duet between Parton and Heart singer Ann Wilson and is dedicated to Parton’s husband Carl.You can listen to both songs below.Parton said of the songs: “‘Bygones’ is an original song of mine featuring Rob Halford from Judas Priest with Nikki Sixx and John 5.

Jon Burlingame Three months from now, the Weeknd might just have an Emmy to place alongside his four Grammys and his Oscar nomination. That’s because he joins a dozen other music superstars — including Dolly Parton, Common, Ryan Tedder, “Weird Al” Yankovic and Meshell Ndegeocello — who have entered work in this year’s Emmy competition. Voting began yesterday in the seven music categories. Approximately 550 members of the Academy’s music branch (composers, songwriters, music directors, orchestrators or music supervisors) will cast ballots, although viewing the hundreds of entries before voting ends on June 26 is an impossible task, Academy officials privately concede.

Jazz Tangcay Artisans Editor The story behind Pixar’s latest animated feature “Elemental” is a personal one to filmmaker Peter Sohn. The opening shows a family arriving at the fictional port of Elemental City, which closely reflected the immigration story of Sohn’s parents from Korea to New York. The story breathes life into the earth elements of fire, water, land and air, depicting them as residents of Elemental City. When Ember (Leah Lewis), a fiery young woman, meets go-with-the-flow water being Wade (Mamoudou Athie), they discover that, despite their conflicts, they have a lot in common. As the two fall in love, Ember is faced with the internal conflict of being with Wade or following in her parents’ footsteps and running the family business. As the son of first-generation immigrants, Ember’s struggle reflected not only Sohn’s personal experience, but that of many of the animators and storytellers behind the scenes.

Jazz Tangcay Artisans Editor Lady Gaga‘s concert film for “The Chromatica Ball Tour” is well on its way, according to the pop singer and actor. On Friday evening, Gaga confirmed the news via Instagram as she gave fans an in-depth explanation of her creative process as of late, also sharing what she has recently been working on. She wrote, “I have been running my start-up Haus Labs, doing philanthropic work, and additionally have been working on The Chromatica Ball film edit.” She added, “Here’s a photo of my working on The Chromatica Ball film edit (that’s a frame from the film behind me) — I can’t WAIT for you to experience it.”A post shared by Lady Gaga (@ladygaga) The long and detailed caption also notes that she’s been writing and producing music for a “special project.”

New Music Friday! The weekend is here, which means more streaming, new playlists and the best that music has to offer. ET has you covered for everything in between.Doja Cat leads this week's releases with her new single, «Attention,» offering fans a first glimpse at the singer's next album. Read on to check out all of ET's recommendations for new songs and albums to listen to this weekend! «Attention» –  Doja CatStream it: Apple / Spotify«Magic Man (Carl Version)» – Dolly Parton feat Ann Wilson  Stream it: Apple / Spotify«Angel Pt. 2» – JVKE, JIMIN of BTS, Charlie Puth, Muni LongStream it: Apple / Spotify«Something Real» – Dierks BentleyStream it: Apple / SpotifySee Ya – Wiz KhalifaStream it: Apple / Spotify«We Don't Fight Anymore» – Carly Pearce feat Chris StapletonStream it: Apple / Spotify«JOY (Unspeakable)» –Voices Of Fire feat Pharrell WilliamsStream it: Apple / Spotify«Run It Up» – Coi LerayStream it: Apple / Spotify«Whole Family» – Saucy Santana feat Flo MilliStream it: Apple / Spotify«Vida Cotidiana» – JUANESStream it: Apple / SpotifyGood Riddance Deluxe – Gracie AbramsStream it: Apple / SpotifyTable For Two – Nat & Alex WolffStream it: Apple / Spotify«Tell Her» – Bruno MajorStream it: Apple / Spotify«The Hardest Part» – Olivia Dean feat Leon BridgesStream it: Apple / Spotify«Invítame A Un Café» — Steve Aoki & Ángela Aguilar Stream it: Apple / Spotify«Westside Story» – DJ SnakeStream it: Apple / Spotify«Don't Say Love» – Leigh-AnneStream it: Apple / Spotify«I'm Geekin» Remix – DDG feat NLE Choppa & BIAStream it: Apple / Spotify«Love U For Fun» – NERIAHStream it: Apple / SpotifyThe Outlaw Side of Me – Chris JansonStream it: Apple / Spotifywho's loving you? – AmbréStream it: Apple / Spotify«Dark Side Of The Moon» –

Jazz Tangcay Artisans Editor Pete Docter, Pixar’s creative chief officer, is hoping the animation studio’s 27th release, “Elemental,” will draw families to movie theaters this weekend. Peter Sohn‘s film is a story about immigration, families, duty and love. Not only does Docter say the visuals are “a spectacle,” but believes it should be experienced with an audience. Docter, who has been with the studio since the beginning and was upped to CCO in 2018, has come under criticism recently that Pixar has lost its magic touch. Here, Docter sits down with Variety over Zoom to discuss Pixar’s approach to programming, Cannes, “Elemental,” and what’s next for the studio.

Jazz Tangcay Artisans Editor Katori Hall’s “P-Valley,” a show about the female dancers at The Pynk, a popular strip club in Mississippi, uses music to shine a spotlight on southern female rappers and artists. In putting together the soundtrack for the series, music supervisors Sarah Bromberg and Stephanie Diaz-Matos turned to the show’s stars, J. Alphonse Nicholson and Loretta Devine, as well as Beyoncé and Megan Thee Stallion, to curate the anthems for Brandee Evans’ Mercedes, Elarica Johnson’s Autumn Night and Nicco Annan’s Uncle Clifford. Here, Bromberg and Diaz-Matos break down how they landed Beyoncé and other needle drops for the show’s second season.

Jazz Tangcay Artisans Editor Jessica Chastain was a “mess” when she won the best actress Oscar for “The Eyes of Tammy Faye” in 2022. Not from the barrage of congratulatory messages from friends and family, but her hair (Stephanie Ingram) and makeup (Linda Dowds) collaborators had also won the best makeup and hairstyling Oscar. Says Chastain, “It was so meaningful to me that they were recognized for their work.” Chastain, Dowds and Ingram first crossed paths in 2013 on “Mama,” and most recently on Showtime’s “George and Tammy,” the story of country singers George Jones (played by Michael Shannon) and Tammy Wynette (Chastain). Since then, the trio has become a tight unit with honesty and trust at the core of their collaboration, whether conceiving real-life transformations or subtle applications as part of their process.

While making Do Revenge for Netflix, Camila Mendes felt like she was working on a theatrical, not a made-for-TV movie.

Jazz Tangcay Artisans Editor Production designer Tamara Deverell was tasked with creating eight different periods and working with eight different directors for Netflix’s “Guillermo del Toro’s Cabinet of Curiosities.” The anthology series required Deverell, 2020’s artisan award recipient for production design, to tap into her love for building gritty sets and build everything from a brutalist architecture room inspired by her work on “Star Trek: Discovery” to using an old warehouse for an alien autopsy. Here Deverell breaks down some of her favorite sets from the series. The first episode tells the story of Tim Blake Nelson as Nick Appleton, who purchases the titular Lot 36 from a recently deceased old man and discovers strange items such as a séance table and rare books. However, the Lot also holds dark demonic secrets

Jazz Tangcay Artisans Editor In the past few years, Hollywood has taken great strides to increase AAPI representation on screen, with a record number of Asians landing Emmy nominations and wins, from Sandra Oh’s recognition for “Killing Eve” to “Squid Game” picking up six trophies, including Lee Jung-jae for best actor in a drama series. This awards season, more AAPI actors fight for history-making nominations, including Ali Wong for “Beef” and the ensemble cast of “Yellowjackets.” Former nominees contending again this year are “Saturday Night Live’s” Bowen Yang and “Ted Lasso’s” Nick Mohammed.

Jazz Tangcay Artisans Editor Filmmaker Victoria Bousis has partnered with Unique Network to enhance the immersive film experience of her award-winning film “Stay Alive, My Son.” Inspired by true events and based on the memoirs of Pin Yathay, “Tu Vivra, Mon Fils” (“Stay Alive, My Son”), Bousis says she wanted to “leverage technology to break the rules of traditional storytelling and educating audiences about Cambodia’s history.” The film, which will screen at Siggraph in August and is currently on the festival circuit, uses augmented reality and a virtual world that audiences experience through a VR headset.

Jazz Tangcay Artisans Editor “Fatal Attraction” production designer Nina Ruscio’s visual challenge was taking on an iconic movie, paying homage to it and finding a way to put her creative stamp on it by taking it into 2023. In the eight-part Paramount+ series, Joshua Jackson stars as Dan Gallagher with Lizzie Caplan as Alex Forrest, roles originated by Michael Douglas and Glenn Close in the original film. And while it’s not a remake, the creative team stressed, it’s an expanded adaptation that provides more insight into Alex’s behavior after an affair with a married man drives her to obsession. The series covers Alex’s struggles with her mental health, but it’s also an erotic thriller.