Jon Voight: Celebs Rumors

+27

All news where Jon Voight is mentioned

nme.com
‘Deliverance’ actor Herbert Coward, dies in car crash, aged 85
Deliverance, has died.The 85-year-old was killed in a car crash on Wednesday alongside his passenger and girlfriend, Bertha Brooks, who was 78.The collision happened in Haywood County, North Carolina, and also caused the death of Coward’s pet Chihuahua dog and pet squirrel.According to People, the actor was turning onto the highway when he was hit by an oncoming vehicle, a truck driven by a 16-year-old, who was subsequently taken to hospital.Authorities reported that neither Coward nor Brooks were wearing seatbelts, and that the other driver was apparently not speeding.Coward’s most memorable role was in John Boorman’s thriller, Deliverance, starring Jon Voight, Burt Reynolds, Ned Beatty and Ronny Cox.His memorable role as ‘Toothless Man’, one of two sadistic mountain men in the movie, involved a disturbing assault scene with Voight and Beatty’s characters.It became the fifth-highest grossing film of 1972, and was nominated for three Oscars, three BAFTAs and five Golden Globe Awards.In 2018, the year before his death, Reynolds revealed that he recommended Coward for the role. He told Conan O’Brien: “John Boorman, an Irish director, the best director I ever had, said, ‘Where am I gonna find these guys … the Mountain Men?’ And I said, ‘I know a guy.
variety.com
‘Desperate Souls, Dark City and the Legend of Midnight Cowboy’ Review: A Documentary About What Made a New Hollywood Classic Indelible
Owen Gleiberman Chief Film Critic A movie, good, bad or indifferent, is always “about” something. But some movies are about more things than others, and as you watch “Desperate Souls, Dark City and the Legend of Midnight Cowboy,” Nancy Buirski’s rapt, incisive, and beautifully exploratory making-of-a-movie documentary, what comes into focus is that “Midnight Cowboy” was about so many things that audiences could sink into the film as if it were a piece of their own lives. The movie was about loneliness. It was about dreams, sunny yet broken. It was about gay male sexuality and the shock of really seeing it, for the first time, in a major motion picture. It was about the crush and alienation of New York City: the godless concrete carnival wasteland, which had never been captured onscreen with the telephoto authenticity it had here. The movie was also about the larger sexual revolution — what the scuzziness of “free love” really looked like, and the overlap between the homoerotic and hetero gaze. It was about money and poverty and class and how they could tear your soul apart. It was about how the war in Vietnam was tearing the soul of America apart. It was about a new kind of acting, built on the realism of Brando, that also went beyond it.
DMCA