Working parents trudging through the muck of their personal lives and neverending responsibilities tend to make the same mistake: They forget about their children.
Laura Moss’ debut film, “birth/rebirth,” forgets the child, too, but for her purposes, this is a feature and not a lapse. Around 40 of the movie’s 98 minutes go by with barely a moment’s thought given to the little girl at the center of Moss’ script, co-written with Brendan J.
Continue reading ‘birth/rebirth’ Review: Laura Moss’ “Frankenstein” Riff Is Alive, Thanks To Judy Reyes’ Stunning Performance [Sundance] at The Playlist..
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