TELLURIDE – At a festival full of gutsy films Daina O. Pusić’s directorial feature debut, “Tuesday,” may be the most visionary of them all.
No small feat when you’re premiering opposite works from Yorgos Lanthimos, Pablo Larrain, Jonathan Glazer and Emerald Ferrell, among others.
Then again, it’s not that surprising when one of the movie’s central characters is the eternal harbinger of doom embodied in the physical manifestation of a white-eyed macaw bird.
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