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‘Tuesday’ Review: Julia Louis-Dreyfus Scores In Powerful Dramatic Role In Unique Adult Fairy Tale Where A Mother And Daughter Both Stare Down Death – Telluride Film Festival

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Tuesday is a fairy tale with some very real-world consequences. The latest A24 collaboration with Julia Louis-Dreyfus, after her superb comedy You Hurt My Feelings premiered at Sundance early in 2023, has just had its world premiere at the Telluride Film Festival this weekend, and for Louis-Dreyfus admirers it just may be a revelation.

The star, who has won a boatload of Emmys for comedy including a historic achievement for Lead Actress in three separate comedy series and who was also excellent in the Kenya Barris comedy You People this spring, shows she is just as talented tackling a highly emotional and unusual dramatic role.

Tuesday also marks a stunning writing and directorial feature debut for Croatian filmmaker Daina O. Pusic, who in wanting to make a movie dealing with loss and death has turned it all into a bit of a fairy tale involving a macaw who it turns out is the face of death.

When this talking bird arrives in your room, that means your time has come. This is a very singular story of a lovely terminally ill teenage girl named Tuesday (Lola Petticrew) who is nearing the end of her life, attended by a nurse (Leah Harvey) and also dealing with a single mother, Zora (Louis-Dreyfus), who clearly cannot the accept the inevitable for her only daughter.

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