This terrific character study by Delphine and Muriel Coulin comes at an apposite time in today’s climate, as far-right political groups all over the globe increasingly get their claws into the angry and dispossessed.
It’s also an unusually inquisitive look at the bonds that exist between men: their tribes, rituals and — ultimately — their responsibilities.
Central to its very primal depiction of the gulf between left and right is star Vincent Lindon as Pierre, a widowed father of young men in provincial France who tries in vain to stop his eldest son becoming radicalized by his friends and by online hate groups; Lindon’s soulful turn rightly snagged him the festival’s Best Actor award.
The boy’s name is Fus (Benjamin Voison), and the dynamic between father and son is established with incredible economy in the opening scenes.
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