Lily Rose Depp Abel Tesfaye Amy Seimetz Sam Levinson Los Angeles tv Pop stars career Music Progressive Citizens and Lily Rose Depp Abel Tesfaye Amy Seimetz Sam Levinson Los Angeles

The Idol series review: Overheated, overhated, and finally over

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thefader.com

Spoiler alert: This review contains key plot points for the final episode of The Idol. When it was first announced, The Idol seemed like a natural progression for the Weeknd.

A series for HBO co-created by Reza Fahim and Sam Levinson, director and writer of the unwieldy smash hit Euphoria, was logical for the long-avowed cinephile born Abel Tesfaye, once an unhoused citizen of Toronto who would wander the aisles of indie video stores.

The show’s subject matter was a fit, too: Jocelyn, a troubled pop star on the edge of career dissolution played by Lily-Rose Depp, falls under the sway of the Weeknd’s Tedros Tedros, music manager and sort-of cult leader; all this, set in the spawning pool of depravity that is modern Los Angeles.

The Weeknd’s entire discography is a blow-caked showcase of excess with Tesfaye at the helm as its by-turns reluctant and indiscriminate anti-hero.

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