Paris: Celebs Rumors

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nypost.com
High fashion clashes with Nazi collaborators in the Apple TV+ series ‘The New Look’
Apple TV+ series traces the modern French fashion world through the eyes of acclaimed haute couture designers Christian Dior (Ben Mendelsohn) and Coco Chanel (Juliette Binoche) amid Nazi-occupied Paris and how each of them, and their compatriots, dealt with that adversity with different shadings of complicity.Created by Todd Kessler (“Bloodline”), “The New Look” co-stars John Malkovich as Lucien Lelong, Dior’s first boss; Maisie Williams as Dior’s French-resistance fighter sister, Catherine; Claes Bang as Nazi operator Spatz, with whom Chanel consorts; Emily Mortimer as Chanel’s sketchy friend Elsa Lombardi; and Glenn Close as powerful Harper’s Bazaar Editor-in-Chief Carmel Snow. Mendelsohn, Binoche and Malkovich spoke to The Post about their characters’ motivations.When we first meet Dior, he’s happy working for Lelong and somewhat ambiguous about the Nazis, designing ball gowns for officers’ wives but refusing to meet with any of them in person. But when Catherine is taken prisoner by the Nazis — and sent to Ravensbrück, a deadly work camp — Dior’s attitude toward the war changes.Mendelsohn: “[Getting Catherine back] becomes his absolute raison d’etre from that point on.
metroweekly.com
‘The Wounded Man’ Review: French Twist
Jean-Hugues Anglade became an arthouse cinema star of the ’80s and ’90s behind the potent one-two punch of international hits Betty Blue and La Femme Nikita. Playing men who loved hard and recklessly, the actor embodied onscreen a raw, alluring passion that he then upended, to powerful effect, portraying mad King Charles IX in writer-director Patrice Chéreau’s 1994 period epic Queen Margot.But a decade earlier, Anglade made his big-screen breakthrough embodying another raw, reckless lover in Chéreau’s gritty, gay, mean streets drama L’homme blessé, or The Wounded Man (★★★☆☆), earning a Most Promising Newcomer César Award nomination for his intense performance as Henri, a young man who comes of age cruising his local train station.The film — which premiered at Cannes in 1983, and had an extremely limited stateside release in 1985 — actually did win the César for its script, by Chéreau and author-activist Hervé Guibert, inspired by the street-savvy works of Jean Genet.Viewing the film now, as it arrives finally on digital home video via a brilliant, new 4K restoration courtesy of Altered Innocence and Studiocanal, other muses also spring to mind, from the slinky sailors of Rainer Fassbinder’s Querelle, released a year prior, to the pugnacious gay hustler of Wallace Potts’ sublimely sexy 1979 French erotica Le Beau Mec.Somewhere between Le Beau Mec and William Friedkin’s Cruising, we might meet Henri, looking like a sweaty, unstable young Al Pacino, as he prowls his economically depressed, French provincial town.
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