Jessica Kiang Fogs, dogs and toxic smogs are just the headliner adversities hurled at the motley band of misfits determined to survive Kim Tae Gon’s “Project Silence,” by no means a classic in the Korean action-thriller pantheon, but a good enough stopgap for a rainy Sunday until the next one comes along.
Set on a cataclysm-prone Seoul highway bridge with suspension cables, like those of our disbelief, destined at some point to snap, Kim’s screenplay — co-written with Park Joo Suk and Kim Hong Hwa — cleaves so close to disaster-movie formula it’s hard to believe it needed three human screenwriters to gin it up.
Given that its most lunatic flourish is the addition of dozens of slavering government-engineered superdogs, maybe it was partially generated by algrrrithm.
At some point there evolved in the genre a pretty hard-and-fast rule stating that chaos in the falling-masonry department can only be justified if it all somehow engineers a better relationship between a (preferably single) parent and their estranged child.
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