There has never been a more obsessed-over American pop icon than Elvis Presley, right? So what does Sofia Coppola do as a kind of palate cleanser to the pop extravaganza of Baz Luhrmann’s “Elvis”?
Give space, time, and breathing room to tell the story of his overlooked and overshadowed wife, Priscilla Beaulieu, aka Priscilla Presley.
READ MORE: ‘Priscilla’ Review: Sofia Coppola’s Understated Biopic Lets Us Draw Our Own Conclusions [Venice] With films like “Marie Antoinette” and “Lost In Translation,” Coppola has already excelled at telling girlhood stories of teenage alienation, and her latest film, “Priscilla,” which debuted at the Venice Film Festival earlier this fall and now makes its North American premiere at the New York Film Festival, looks as if it will do the same.
Read more on theplaylist.net
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