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Taylor Swift

Taylor Alison Swift is an American singer-songwriter. She is known for narrative songs about her personal life, which have received widespread media coverage. At age 14, Swift became the youngest artist signed by the Sony/ATV Music publishing house and, at 15, she signed her first record deal.

Her 2006 eponymous debut album was the longest-charting album of the 2000s in the US. Its third single, "Our Song", made her the youngest person to single-handedly write and perform a number-one song on the Billboard Hot Country Songs chart. Swift's second album, Fearless, was released in 2008.

Buoyed by the pop crossover success of the singles "Love Story" and "You Belong with Me", it became the US' best-selling album of 2009 and was certified diamond in the US. The album won four Grammy Awards, and Swift became the youngest Album of the Year winner.

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No, chef! Season 2 of ‘The Bear’ is noisy and boring

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nypost.com

Hulu).It’s not — at least in the first half of this 10-episode season, already ruined for me by a Deadline interview with series star Jeremy Allen White in which he describes his “Season 2 finale breakdown.” Cool, thanks so much for spoiling everything — something we try very hard not to do here unless absolutely necessary.This was not necessary.

Delayed viewing, anyone?From what I’ve seen so far, Season 2 of “The Bear” is just meh — and is meandering through a sophomore slump, perhaps vis-á-vis the pressure to outdo its stellar inaugural season.

That intrigue has largely vanished now, replaced by an annoying — and at times, boring — story arc as still-depressed chef Carmen “Carmy” Berzatto (and his hair) rebrands and rebuilds his down-and-out Chicago eatery amidst the bickering and workplace/personal drama that was somewhat charming in Season 1 as the main characters, particularly Carmy, traveled on their journeys of self-discovery.“The Bear” is way too loud, both in its audio and contextual dimensions.

Its decibel level is aided and abetted by too-precious cinematography and editing — a trap into which “Better Call Saul” stepped in trying to replicate the visual style of its predecessor, “Breaking Bad.” There are frenetically shot, way-too-noisy arguments in which it’s hard to understand who’s saying what as Carmy’s army talk over each other in that Robert Altman-type of way — almost as if they’re standing on a jetway trying to outshout each other above above the engines’ roar.

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