Cliff Twemlow is an obscure figure even by British B-movie standards, a handsome, no-nonsense former Manchester nightclub doorman who attempted to create a Hollywood of the north in the early ’80s and ’90s.
Born in 1937, a fact he tried to cloud for many years, he was something of a renaissance man: He acted in soaps, he composed lucrative library music, he wrote a novel about a killer pike (“Pike can be dangerous, there’s no two ways about it”), and, after a wounding experience with a botched adaptation of his autobiographical novel Tuxedo Warrior, he decided to become a filmmaker himself.
His first production, G.B.H. (1982), was shot on video — the grainy, ugly, analog kind — and it rode on the coattails of the recent hit The Long Good Friday.
Twemlow starred as a handsome, no-nonsense Manchester nightclub doorman, hired to protect a local nightclub from a protection racket after returning from a stretch in prison.
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