Haiti: Celebs Rumors

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nme.com
‘The Exorcist: Believer’ trailer sees Ellen Burstyn return in direct sequel
The Exorcist: Believer – check it out below.Directed by David Gordon Green, who helmed the recent Halloween reboot trilogy, The Exorcist: Believer similarly serves as a direct sequel to William Friedkin’s 1973 original.As shown in the trailer, the connecting thread is the return of Ellen Burstyn as Chris MacNeil, who is tracked down by concerned father Victor (Leslie Odom Jr.) to help save his possessed daughter Angela (Lidya Jewett) and her friend Katherine (Olivia Marcum).A synopsis reads: “Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding has raised their daughter, Angela, on his own. But when Angela and her friend Katherine disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.”Other confirmed cast members include Ann Dowd, Raphael Sbarge, Jennifer Nettles and Okwui Okpokwasili.The Exorcist: Believer is the first entry in a planned trilogy, with a follow-up titled The Exorcist: Deceiver scheduled to be released on April 18, 2025.The original Exorcist, based on the book by William Peter Blatty, was followed by sequels Exorcist II: The Heretic in 1977 and 1990’s The Exorcist III.
nypost.com
‘Little Mermaid’ slammed by black activist for ‘erasing’ slavery: ‘Dangerous’
Disney’s The Little Mermaid, Caribbean Slavery, and Telling the Truth to Children,” Ryder points out that the movie appears to take place in the Caribbean in the 18th century during a time of African chattel slavery — yet the islanders depicted in the film seem to live in a world free of this inhumanity.“In this setting, I do not think we do our children any favors by pretending that slavery didn’t exist,” he wrote. “For me Disney’s preference to try and wish the inconvenient truth away says more about the adult creatives than it does about children’s ability to work through it.”Though he acknowledged that the movie is a fantasy and doesn’t necessarily need to be historically accurate, he said that Disney shouldn’t be “encouraging historical amnesia.”“But the total erasure and rewriting of one of the most painful and important parts of African diasporic history, is borderline dangerous, especially when it is consumed unquestioningly by children,” he added.Ryder proposed that Disney could have instead set the live-action film in Haiti after slavery was overthrown, with Ariel meeting Prince Eric in the wake of real racial harmony and not sacrificing historical accuracy.“We owe it to our children to give them the most amazing fantastical stories possible to help their imaginations grow,” Ryder said.
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