Ellen Burstyn: Celebs Rumors

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Linda Lavin, Tony-winning Broadway actress who starred in the sitcom ‘Alice,’ dead at 87

Deadline, which first reported her death.Lavin grew up in Portland, Maine, and moved to New York City after graduating from the College of William and Mary. She sang in nightclubs and in ensembles of shows.Iconic producer and director Hal Prince gave Lavin her first big break while directing the Broadway musical “It’s a Bird … It’s a Plane … It’s Superman.” She went on to earn a Tony nomination in Simon’s “Last of the Red Hot Lovers” in 1969 before winning 18 years later for another Simon play, “Broadway Bound.”In the mid-1970s, Lavin moved to Los Angeles.
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‘Hauntings,’ the ‘impossible’: ‘The Exorcist’ and what you never knew about the iconic horror film
CGI movie technology, it is getting harder and harder to deliver that true spine-chilling internal fear that makes horror films so great.Gen Z and Gen Alpha kids may arrogantly scoff at retro scary movies, but it hasn’t always been this way.There was once a time when picture-goers were so viscerally terrified by what they were seeing on the big screen that it would trigger powerful physical reactions right there in the theater.During Jaws (1975) people fainted and vomited in the cinema during some of the gruesome scenes, while others stopped going swimming in the ocean altogether out of pure fear.Alfred Hitchcock’s classic film Psycho (1960) sparked mania during the infamous shower stabbing scene, with reports of people hyperventilating and passing out in their cinema chairs.However, one of the most horrifying movies to ever hit the big screen, causing widespread panic, fear and repulsion, is William Friedkin’s The Exorcist (1973).Based on William Peter Blatty’s 1971 novel, the film follows the demonic possession of a young girl and her mother’s attempt to rescue her through an exorcism by two Catholic priests.With some wildly disturbing scenes, including some bizarre 360 degree head spinning, eerie spider-walking on the stairs and some disgusting projective lime-green vomit, it shocked those 1970s audiences to their core.One particular vulgar scene involving a crucifix — that is too crude to describe here — shocked and upset many, especially considering the percentage of people who were religious back then.The flick was so scary that even renowned Chicago Sun-Times film critic Roger Ebert was at a loss for words about how it made him feel.“I am not sure exactly what reasons people will have for seeing this movie; surely
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