Leonardo DiCaprio Wore Padding to Get Spanked by Robert De Niro in 'Killers of the Flower Moon'

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moon was fully protected.Leonardo DiCaprio took extra precautions for his spanking scene with Robert De Niro in “Killers of the Flower Moon” by wearing butt padding.“I do remember doing them quite a few times and thinking, ‘Oh, that must hurt,’ cinematographer Rodrigo Prieto said in an interview with Insider published on Tuesday, of the scene between DiCaprio, 48, and De Niro, 80. “There was some padding on [DiCaprio’s] butt.

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Leonardo DiCaprio wore “butt-padding” in a scene where he is spanked by Robert De Niro in Killers Of The Flower Moon, according to the film’s cinematographer.Rodrigo Prieto opened up to Insider in a new interview about the scene, which occurs half-way into Martin Scorsese’s new epic.DiCaprio’s character, Ernest Burkhart, has messed up a plan to steal the Osage of its wealth. De Niro’s character, William Hale, plays Ernest’s uncle and decides to punish his nephew by spanking him.

All Of Us Strangers by Andrew Haigh led the Gotham Awards Nominations today, with some love for Celine Song’s Past Lives and a Best Performance nod to Ryan Gosling for Barbie after the indie-centric Awards removed a longstanding budget cap on eligibility, an opening for big-budget studio and streamer fare to submit for consideration.

Jazz Tangcay Artisans Editor Costume designer Jacqueline West, a four-time Academy Award nominee, had several directors on her wish list. She had already worked alongside Denis Ville- neuve, Ben Affleck, Terrence Malick and Alejandro González Iñárritu. This year, she finally crossed Martin Scorsese’s name off the list.

Devery Jacobs is sharing her thoughts on Martin Scorsese‘s new movie Killers of the Flower Moon, which recounts the murders of indigenous Osage tribe members in 1920s Oklahoma.

Zack Sharf Digital News Director Devery Jacobs, the Indigenous actor best known for playing Elora on three seasons of FX and Hulu’s “Reservation Dogs,” took to X (formerly Twitter) to share the “strong feelings” she had about Martin Scorsese’s “Killers of the Flower Moon.” She called out the $200 million Western crime epic for not portraying its Osage characters with “honor or dignity” and for further dehumanizing them by depicting their deaths. The film is based on a true story and centers around the Reign of Terror, a term given to the murders of at least 60 members of the Osage nation in the late 1920s.

Zack Sharf Digital News Director Martin Scorsese’s “Killers of the Flower Moon” cinematographer Rodrigo Prieto told Insider in a new interview that Leonardo DiCaprio wore butt padding for the scene in which Robert De Niro has to repeatedly spank him. Prieto recalled watching the scene on set and thinking, “Oh, that must hurt.” He commended DiCaprio for being open to try anything Scorsese asked him to during production. “I don’t think that was in the first script,” Prieto said of the spanking scene.

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There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.

Naman Ramachandran Lokesh Kanagaraj‘s Tamil-language “Leo: Bloody Sweet,” starring Vijay, debuted in third position at the global box office over the latest weekend, with $31.2 million planetwide, according to estimates released on Sunday by Comscore. The weekend was won by Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, with $44 million, followed by “Taylor Swift: The Eras Tour” with $41.5 million. However, in terms of worldwide cumulative among new releases, “Leo” scored $48.5 million (after four days) compared with the $44 million earned by “Killers of the Flower Moon.” An homage to David Cronenberg’s 2005 film “A History of Violence,” “Leo” released on Oct.

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Rebecca Rubin Film and Media Reporter Taylor Swift’s movie is presiding over Martin Scorsese’s in North American theaters, but the “Mean Streets” director has outstripped the “Mean” singer at the international box office. Scorsese’s “Killers of the Flower Moon,” a crime epic starring Leonardo DiCaprio and Robert De Niro, has generated $21 million from 63 overseas markets. In terms of weekend ticket sales, it’s pacing ahead of Swift’s “The Eras Tour,” which added $10.5 million in its second weekend of release.

Rebecca Rubin Film and Media Reporter Martin Scorsese‘s star-studded crime epic “Killers of the Flower Moon” impressed in its box office debut, collecting $23 million from 3,628 North American theaters over the weekend. The film also brought in $21 million from 63 international territories for a global total of $44 million.

Killers of the Flower Moon,” by David Grann, which details how the Osage fell victim to a string of murders.One was killed with poisoned whiskey (there may have been more), others got shot and Bill and Rita Smith, a white man married to an Osage woman had their home blown up. The pure greed of it all was made evident when William King Hale (often referred to, simply, as King), a wealthy rancher who held considerable sway over Native Americans and whites alike, took out a $25,000 life insurance policy on an Osage man named Henry Roan. A doctor who examined Roan for the policy asked Hale if he planned on killing Roan.

Taylor Swift: The Eras Tour” reigned supreme in theaters for the second Friday in a row, earning $10.4 million, according to IMDB’s Box Office Mojo.After her negotiations with movie studios failed, the songstress struck an unprecedented agreement with AMC Theatres for its distribution.Some fans told The Post that they are getting reprimanded by fellow Swifties and theater employees for singing and dancing while watching the movie. Swift managed to beat out Martin Scorsese’s “Killers of the Flower Moon,” which saw sales of $9.4 million on Friday, its opening night.

Jazz Tangcay Artisans Editor SPOILER ALERT: This article has minor spoilers for “Killers of the Flower Moon,” now playing in theaters. There is a scene near the beginning of Martin Scorsese’s “Killers of the Flower Moon” that shows crude oil spurting out from the ground — “black gold.” It’s a joyful moment for the Osage tribes. “Scorsese kept talking about oil gushing up in the air,” cinematographer Rodrigo Prieto tells Variety. “When you find oil, it bubbles under the surface, but he wanted to do something surreal and joyful, which contrasts with what that black gold brought them.” So, the shot required an oil pump as well as a derrick oil rig.

Chris Willman Senior Music Writer and Chief Music Critic When I spoke with Robbie Robertson over the phone in the last week of July, it was at what everyone might have expected would be the beginning of a great victory lap for the musician. His work with the Band in the late ‘60s through mid-‘70s had been properly commemorated, through a memoir and documentary that covered those crucial years. But the film work that had consumed so much of his attention in the decades since, almost all of it as a close collaborator with, and close friend, to Martin Scorsese? There hadn’t really been a proper nexus point to fully celebrate and explore that.

Jazz Tangcay Artisans Editor Colorful blankets play a huge part in Native culture. And therefore, they also play an important role in Martin Scorsese‘s “Killers of the Flower Moon.” Osage clothing consultant Julie O’Keefe explains the blankets became an essential part of storytelling, and are “an expression of how we represent ourselves even to this day.” Scorsese brought on costume designer Jacqueline West to craft the looks for “Killers of the Flower Moon.” “He wanted this to be character-driven, with the clothes and wardrobe helping to tell the story,” West explains.

Killers of the Flower Moon” earned $9.4 million from 3,628 theaters on its opening day, a figure that includes $2.6 million in Thursday previews. The epic-length historical drama is now projecting a finish of $23.5 million over the three-day opening frame, tracking behind the second weekend of Swift’s “Eras Tour” concert film.

Zack Sharf Digital News Director Martin Scorsese’s $200 million epic “Killers of the Flower Moon,” based on David Grann’s 2017 non-fiction book, centers on the Reign of Terror, a term the Osage Nation used to define the murders of at least 60 community members in the late 1920s. The film tells this true crime tale through the lens of a marriage between Ernest Burkhart (Leonardo DiCaprio), a World War I veteran who relocates to Oklahoma to work with his rancher uncle, and Mollie Burkhart (Lily Gladstone), a local Osage woman whose family was one of the community’s wealthiest. Robert De Niro stars as Ernest’s uncle, William Hale.

Leonardo DiCaprio‘s “endless” ad-libs in Killers Of The Flower Moon left Martin Scorsese and Robert De Niro “rolling their eyes”, according to the director.Scorsese’s 26th film is based on the true story of the murder of more than 60 Native Americans in 1920s Oklahoma and stars De Niro and DiCaprio as an uncle and nephew plotting to steal the oil underneath the tribe’s land.DiCaprio is renowed for improvising his lines in films, but while filming the period piece, the actor apparently tested the patience of his co-star and director.His improvisations were “endless, endless, endless”, Scorsese told The Telegraph, while “Bob [De Niro] didn’t want to talk.”The 80-year-old director, who has made multiple films with both actors, said: “Every now and then, Bob and I would look at each other and roll our eyes a little bit. And we’d tell [DiCaprio]: ‘You don’t need that dialogue.’”This comes after Scorsese recently revealed that DiCaprio asked for a major overhaul of the film’s script two years into the writing process.While the film ended up being told from the perspective of the Osage tribe, that wasn’t the original plan.

Jordan Moreau This weekend at the box office is a showdown of two pop culture titans: Martin Scorsese and Taylor Swift. The “Mean Streets” director and “Mean” singer each have a movie facing off this weekend, “Killers of the Flower Moon” and “Taylor Swift: The Eras Tour.” Scorsese’s latest movie has so far made $2.6 million in Thursday previews at the box office. “Eras Tour” made $5.9 million on Thursday, Oct.

The AMC distributed Taylor Swift: The Eras Tour returned yesterday, Thursday, at around noon after a three day pause, pulling in $5.9M per industry estimates. This takes the running total of the Sam Wrench directed concert film to $98.7M at 3,855 theaters. Meanwhile, Apple Original Films big splash into wide theatrical releases with Martin Scorsese’s Killers of the Flower Moon, distributed by Paramount, drew $2.6M in previews that began at 2PM. Why so early? The Leonardo DiCaprio Robert De Niro movie is 3 hours and 26 minutes long.

Leonardo DiCaprio and Robert De Niro are two of the biggest movie stars of all time, but they have very different acting methods.

Editor’s note: This interview was originally published on May 16 during the Cannes Film Festival. It is being rerun now to coincide with the film’s domestic release and interviews were carried out prior to the SAG-AFTRA strike.

EXCLUSIVE: Tony Goldman called them “thoughtful human movies” — the ones, he said, “that don’t have the big marketing hook or are not genre pictures or horror or action movies have become increasingly difficult to get made.”

Martin Scorsese‘s new epic film Killers of the Flower Moon is now out in theaters and it’s bound to be a big hit during awards season.

Martin Scorsese‘s Killers Of The Flower Moon lands on Apple TV+ this week, and has a love story at its heart.The film, which stars Leonardo DiCaprio and Robert De Niro, is based on a series of murders in the Osage tribe in 1920s Oklahoma.DiCaprio plays Ernest Burkhart in the film, with his wife Mollie portrayed by Lily Gladstone. In the film, the pair are embroiled in a complicated and turbulent love story.In a five-star review of the film, NME wrote: “This is among Scorsese’s most important work.

Martin Scorsese‘s new epic Killers Of The Flower Moon on Apple TV+, Leonardo DiCaprio stars as Ernest Burkhart.DiCaprio is joined by Lily Gladstone and Robert De Niro in the new film, which is based on a series of murders in the Osage tribe in 1920s Oklahoma.In a five-star review of the film, NME wrote: “This is among Scorsese’s most important work. Popular music from the 1920s, Native American songs and Robbie Robertson’s bluesy score help round off this remarkable Western, a film that will linger in the minds of its audience for a long time.”With the new film out now, DiCaprio has multiple new projects to work on next, including more as part of his still-fruitful relationship with Scorsese.After the release of Killers Of The Flower Moon, DiCaprio will reconnect with Scorsese for new movie The Wager.Speaking to The Times, Scorsese confirmed that this will be his next project, and is based on the novel The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann, the same author who wrote the book that Killers Of The Flower Moon is based on.There is not a great deal of information available about Scorsese’s adaptation of the book, but The Wager concerns the real-life fate of the crew of the HMS Wager, a British navy ship wrecked off the coast of Chile in the mid-1700s.Another team-up between the legendary actor and director pair will come in a Teddy Roosevelt biopic, while other DiCaprio and Scorsese projects in the works include The Devil In The White City.The latter is an adaptation of Erik Larson’s 2003 book which concerns H.

Martin Scorsese‘s Killers Of The Flower Moon lands on Apple TV+ this week, and comes complete with an epic soundtrack.The film, which stars Leonardo DiCaprio and Robert De Niro, is based on a series of murders in the Osage tribe in 1920s Oklahoma.A synopsis reads: “In the 1920s, members of the Osage Native American tribe of Osage County, Oklahoma, are murdered after oil is found on their land, and the FBI decides to investigate.”In a five-star review of the film, NME wrote: “This is among Scorsese’s most important work. Popular music from the 1920s, Native American songs and Robbie Robertson’s bluesy score help round off this remarkable Western, a film that will linger in the minds of its audience for a long time.”Alongside a score from Robbie Robertson, who died in August of this year after completing the score, the film’s soundtrack features a host of popular music from the 1920s and Native American songs.1. ‘(Intro) The Sacred Pipe’2. ‘Osage Oil Boom’3. ‘My Land…My Land’4. ‘Heartbeat Theme/ Ni-U-Kon-Ska’5. ‘They Don’t Live Long’6. ‘The Wedding’7. ‘Tribal Council’8. ‘Reign Of Terror’9. ‘Insulin Train’10. ‘Tulsa Massacre Newsreel’11. ‘Shame On Us’12. ‘Too Much Dynamite’13. ‘Not If it’s Illegal’14. ‘Salvation Adagio’15. ‘Still Standing’16. ‘Tupelo Blues’ – Rayna Gellert, Kieran Kane, Philip Jamison & David Mansfield17. ‘Livery Stable Blues’ – Vince Giordano & The Nighthawks18. ‘The Gallop, Chasse, Pas de Bourree’ – Adam Nielsen19. ‘Metropolis (A Blue Fantasie)’ – Vince Giordano & The Nighthawks20. ‘Mollie’ – Andy Stein21. ‘Wahzhazhe (A Song For My People)’ – Osage Tribal SingersTalking to NME about his relationship with Robertson and his score for the film, Scorsese said: “We knew each other for 50 years.

Owen Gleiberman Chief Film Critic Everywhere you look these days there are over-the-top horror movies, but the torture-porn genre of the “Saw” films — homicidal mutilation served up as a “game,” with life lessons thrown in — is more or less limited to the “Saw” franchise. There haven’t been too many knockoffs of it.

Zack Sharf Digital News Director In a new interview with the Wall Street Journal, Martin Scorsese recalled Paramount Pictures execs telling him point blank they would not be backing the overhauled script for “Killers of the Flower Moon.” The rejection came before the new script was even finalized. “The studio said, ‘We backed the other version, we can’t back this one,’” Scorsese remembered.