Chris Willman Senior Music Writer and Chief Music Critic When I spoke with Robbie Robertson over the phone in the last week of July, it was at what everyone might have expected would be the beginning of a great victory lap for the musician.
His work with the Band in the late ‘60s through mid-‘70s had been properly commemorated, through a memoir and documentary that covered those crucial years.
But the film work that had consumed so much of his attention in the decades since, almost all of it as a close collaborator with, and close friend, to Martin Scorsese?
There hadn’t really been a proper nexus point to fully celebrate and explore that. And the impending release of “Killers of the Flower Moon,” which had already premiered to considerable acclaim in Cannes, looked to provide it.
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