Thania Garcia Before Karol G hit the stage to a sold-out crowd at Pasadena’s Rose Bowl stadium on Friday night, Morgan Freeman’s gravelly voice lulled audiences into storytime.
His narration, paired with an animated short using the same cartoon characters found on the cover of her fourth studio album “Mañana Será Bonito,” was about a mermaid named Carolina (Karol’s real name) who was to begin a journey to rediscover her most bichota self after losing her spark and suffering from a frozen heart.
For the three hours that followed, Karol delivered a powerful performance with that purpose in mind. In the audience, generations of Latinas — from young girls in oversized pink wigs to large groups of women in their 20s, 30s and 40s — received her songs of empowerment and femininity as a sermon to sing their hearts out to.
The history-making success of “Mañana Será Bonito,” the first female-sung Spanish-language album to top the Billboard albums chart, transformed into a tangible, live experience.
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