Hou Hsiao-hsien’s Relatives Confirm Taiwan Film Director’s Retirement, Continuation of Family Business (EXCLUSIVE)

Kaiser Chiefs drummer and songwriter Nick Hodgson has revealed the original inspiration behind the band’s hit song ‘Ruby’.The Leeds group released ‘Ruby’, the lead single from their second album ‘Yours Truly, Angry Mob’, in 2007 which went on to become their first UK Number One.In a new video feature posted by The Other Songs where Hodgson retold the story for a live audience, he recalled playing a verse on the keyboard when someone called Ruby walked in, prompting him to sing the tracks famous hook, “Ruby, Ruby, Ruby, Ruby…“.“At the time we didn’t say who Ruby was,” he shared. “But I can tell you now that Ruby was a dog.”Hodgson also elaborated on the meaning behind ‘Ruby’ in a TikTok last year in which he sang a stripped back version of ‘Ruby’ and played the piano.A text box flashed onto the screen, which read, “Ruby was our family dog”, alongside a picture of a black labrador, adding: “When I was writing it Ruby (the dog) walked in and I sang…”He then played the chorus and concluded with the text: “I’m very glad she did.”The song naturally sounds like it is about a woman, opening with vocalist Ricky Wilson singing, “Let it never be said that romance is dead/ ‘Cause there’s so little else occupying my head,” before he asks Ruby in the chorus: “Do ya, do ya, do ya, do ya (ah-ah-ah-ah-ah-ah)/ Know what you’re doing, doing to me?”This is the piano that i started writing Ruby on.

JLS’ Aston Merrygold has gone viral after the singer failed to complete a backflip during one of their live shows.The moment happened on Saturday night (November 11) as the band played the final date of their 2023 reunion tour with a stop in Sheffield.At one point in the show, the singer went to perform a backflip off a ledge on the stage, as the other three members continued singing.

Patrick Frater Asia Bureau Chief “Godzilla Minus One,” the biggest picture to date in the Japanese monster movie franchise and the Wednesday night closing gala title at the Tokyo International Film Festival, is set for pan-European release at the beginning of December. Rights were acquired for 38 territories (excluding the U.K., Ireland and German-speaking territories) by theatrical-only specialist distributor Piece of Magic Entertainment from Toho, the Japanese studio that controls the ‘kaiju’ franchise and distributes the picture in Japan from Nov.

Patrick Frater Asia Bureau Chief Hong Kong-based sales firm Autumn Sun has acquisition worldwide rights to Chinese family-oriented animated film “I Am T-Rex,” directed by Shang Ming and Si Lin, produced by Beijing Create Dream. “I Am T-Rex” follows a young T-Rex named Didi in her coming of age journey after the death of powerful father T-Rex Rog, who is killed by a rival dino gang. She must learn the ways of the T-Rex and claim the crown again with the help of her uncle and a very caring friend.

Patrick Frater Asia Bureau Chief Australia’s Rialto and the U.K’s Vertigo Releasing have joined forces to launch Galaxy Pictures, a new film distribution company in Australia and New Zealand. The company will focus on “broad-appeal, star-driven commercial pictures that cater to consumers attuned to an increasingly digital landscape.” The two companies have already been cooperating for the past three years and handle 120 titles.

Patrick Frater Asia Bureau Chief Vietnam-based sales agent Skyline Media has closed multi-territory deals for two of its current titles “The Soul Reaper” and “Vietnamese Horror Story.” The deals follow Skyline’s recent trip to Busan’s ACFM and come ahead of its participation as exhibitor at a string of further final quarter sales events – Tokyo’s TIFFCOM, Santa Monica’s American Film Market and Taipei’s Taiwan Creative Content Fest. Folk horror film “The Soul Reaper,” currently in the final stages of post-production, was licensed to GaragePlay for Taiwan and to Westec Media Limited (WML) for Laos, Cambodia and nine other Southeast Asian territories. The film, adapted from Thao Trang’s best-selling horror novel “Lunar New Year in Hell Village” (aka “Tet O Lang Dia Nguc”), is set to be released in Vietnam cinemas on 08 December. GaragePlay is one of Taiwan’s leading distributors, and recently handles releases of “Suzume,” “John Wick: Chapter 4” and “Someday or One Day.” WML is the biggest content distributor in Cambodia and has distributed more than 1,000 titles theatrically since its establishment.

Patrick Frater Asia Bureau Chief Top Japanese director Kurosawa Kiyoshi is in post-production of “Le Chemin du Serpent,” a French-language adaptation of his own 1998 film “The Serpent’s Path.” The story sees a mysterious woman team up with a man whose daughter was killed and who is now seeking revenge. Together they kidnap members of an organization and torture them to find out what really happened. With Damien Bonnard (“Asteroid City,” “Les Miserables”) and Shibasaki Ko (“47 Ronin,” “Battle Royale”) in the leading roles, the picture is the anchor title of the TIFFCOM sales slate of major Japanese studio Kadokawa. Production is by Kadokawa and Jean-Luc Ormieres’ Cinefrance Studios.

Patrick Frater Asia Bureau Chief Boutique sales agent, House of Film has acquired worldwide rights, excluding Asia, to represent the Malaysian mythical horror film “Curse of the Totem” (aka “Sumpahan Jerunei”) from Produksi Seni Duapuluh-Duapuluh SDN BHD. Based on the 13th Century Borneo sacrificial rituals, “Curse of the Totem” tells the story of Dr.

Patrick Frater Asia Bureau Chief Japanese drama film “Mountain Woman,” which was one of the standouts titles at last year’s Tokyo International Film Festival, is to be represented for global sales by EST N8. Inspired by “The Legends of Tono,” which is Japanese folklore from the Tohoku region, the film depicts a small Japanese village overrun by famine. The burden falls upon Rin, a woman whose connections with the spirit and natural worlds allow her to rise amidst familial conflicts.

Patrick Frater Asia Bureau Chief No Maori Allowed, directed by Corinna Hunziger was named the winner of the Pasifika Award and recipient of a $5,000 cash prize at the Hawaii International Film Festival. It recounts the story of a teacher who unearths a secret past in the town of Pukekohe. Thet causes M?ori community figures to come forward to share personal stories that shaped their lives.

Patrick Frater Asia Bureau Chief Six film projects currently at development stage have been selected to take part in a workshop session as part of mylab+@Jogja next month. The six share a common characteristic of Indonesian co-production and a recurring theme of luminescence. “This theme underscores the importance of having the distinctive light of Asian cinema arise from its own characteristics.

Patrick Frater Asia Bureau Chief A TIFFCOM seminar on Thursday demonstrated both a sense of incredulity that Japanese animation “Suzume” could have enjoyed such wide international success and conveyed the depth of passionate behind-the-scenes strategizing that made it happen. Since its release in Japan at the end of 2022 and international expansion in spring of 2023, following a Berlin festival competition slot, “Suzume,” a fantasy drama about a girl who helps avert natural disasters, sold more than 47 million tickets worldwide. “And most of those people don’t even speak Japanese,” said the session’s moderator Sudo Tadashi, journalist and professor at the Japan University of Economics. Sunami Kazuki, MD of producer CoMix Wave Films and the Takeda Akihiro, an executive attached to the president’s office at the film’s worldwide distributor Toho, said that “Suzumi’s” success was not a foregone conclusion. Its success was years in the making and based on the growing performance of director Makoto Shinkai’s previous movies as well as growing international understanding of the Japanese anime genre. At the beginning of their collaboration, Shinkai and CoMix had little expectation that Shinkai’s works could appeal to non-Japanese distributors and audiences. But, within Asia at least, fans are tuned in to certain kinds of content from other countries. “We also owe this success to the cumulative impact of Studio Ghibli and ‘Demon Slayer 2’,” said Sunami. Shinkai’s 2013 film “The Garden of Words” was initially a Japan-only theatrical release, but it registered in China after Japanese box office success.

It’s official: Hou Hsiao-hsien has retired from filmmaking. Deadline reports that the Taiwanese filmmaker’s family released a statement earlier this week that confirms he’s retiring after being diagnosed with Alzheimer’s disease.

Patrick Frater Asia Bureau Chief Leading Chinese filmmaker Zhang Yimou has a tough guy exterior – leather jackets, black shirts and a square jaw that has earned him acting awards alongside his top-level credentials as cinematographer and director of “Hero,” “The Road Home” – but on a visit to the Tokyo International Film Festival this week he was all smiles and frank talk. Zhang received a lifetime achievement award on Monday. On Tuesday the festival gave a gala screening to his historical blockbuster “Full River Red.” And at a Wednesday masterclass, Zhang was more gushed usable details about his process and frank advice for newcomers. “To be a film director you need to be physically in good shape. No smoking and no drinking,” he advised. “I generally adopt a two-stage process,” he explained.

Patrick Frater Asia Bureau Chief Toei Animation, the Japanese studio behind “Dragon Ball,” “Slam Dunk” and the “One Piece” cartoon franchises, is planning to open a European office in Italy. That may be followed by others in Latin America and India as well as a ramp up of its international production. The group already has a handful of overseas regional offices covering Asia, the Americas and Australasia, and Europe-Middle East and Africa (EMEA).

Patrick Frater Asia Bureau Chief Ichiyama Shozo assumed control of the program of the Tokyo International Film Festival after a long programming career that included Tokyo and the slightly more indie Tokyo Filmex events. He is also a regular producing partner of Chinese art-house darling Jai Zhangke. These influences have shaped his approach to this year’s Tokyo IFF lineup, he told Variety.

Patrick Frater Asia Bureau Chief TIFFCOM, the film market attached to the Tokyo International Film Festival, is set to be more international and more diverse in its first full comeback year after the COVID hiatus. It should also be more pleasant and convenient, having re-located to a more modern venue that is close to the film festival. “Bringing the in-person market back after four years, my priority was to make sure that TIFFCOM could happen during the festival, not some other time,” said Shiina Yasushi, who has headed the market for ten years.

Patrick Frater Asia Bureau Chief Japan’s Nikkatsu studio is pitching “River” at the top of its TIFFCOM sales slate. The film – on which it shares rights with Third Window Films – is a time loop comedy from Yamaguchi Junta, director of “Beyond The Infinite Two Minutes.” The one-hundred-year-old Fujiya inn stands in a quiet region of Kyoto. An employee is standing in front of the Kibune river at the back of the building when she is called back to work.

Patrick Frater Asia Bureau Chief The Zootopia-themed land at Shanghai Disneyland is now confirmed to open in December. It will be the eighth land within the seven-year-old theme park. Based on the Walt Disney Animation Studios animated film “Zootopia,” which released in 2016, the new land will include a new attraction, Zootopia: Hot Pursuit, where guests can hop on an all-terrain cruiser powered by a trackless ride system in an action-filled chase through Zootopia’s different districts. Other themed entertainment experiences and character moments include the Zootopia Park Apartments, where a lineup of animal residents will interact with each other and guests throughout the day, appearing from time to time, in a show. Guests will also get the chance to spend at Fashions by Fru Fru, a merchandise store owned by Fru Fru, a Zootopia fashionista.

Patrick Frater Asia Bureau Chief Iranian drama film “Empty Nets” was Monday named winner of the AFF Feature Fiction Award at the Adelaide Film Festival. Directed by Behrooz Karamizade, it collected an A$10,000 ($6,320) cash prize.

Patrick Frater Asia Bureau Chief “Only the River Flows,” a pitch-black crime noir from auteur Wei Shujun, comfortably topped the mainland China box office on a quietish weekend. The film, ostensibly a murder mystery, but one concerned more with atmosphere than linear plotting, earned $12.6 million (RMB90.8 million) in its opening three days, according to data from consultancy Artisan Gateway, or close to a third of the market. The film had its premiere in Cannes where Variety gave it a rave review, calling it an “inventive riff on Asian-noir” and making comparisons with films by Park Chan-wook and Diao Yinan. “Only the River Flows” has since played at a succession of festivals ever since, including New Zealand, BFI London, Vancouver, Adelaide and last week’s Pingyao event in China. Falling to second place at the box office after three weeks on top was Zhang Yimou’s “Under the Light,” which earned $6.9 million for a four-weekend cumulative of $176 million. Chen Kaige’s war, propaganda film “The Volunteers: To the War” earned $5.3 million in third place.

Patrick Frater Asia Bureau Chief Martin Scorsese’s “Killers of the Flower Moon” opened with an unconvincing second place debut at the South Korean cinema box office. It earned $406,000 between Friday and Sunday and $499,000 over its full four-day opening period. Its market share was a shade below 9%, according to data from KOBIS, the tracking service operated by the Korean Film Council (Kofic). That left “Love Reset,” a local romantic comedy, at the top of the chart for the third successive weekend.

Patrick Frater Asia Bureau Chief “The Quiet Yakuza,” is one of two late additions made by Japanese indie sales firm Free Stone Productions to its slate of films being pitched at TIFFCOM, the film rights market attached to the Tokyo International Film Festival. Directed by Yamaguchi Kento, the two-part-film is adapted from the highly popular manga “Shizukanaru Don – Yakuza Side Story” by Nitta Tatsuo, which runs to 108 volumes and has sold nearly 50 million copies. It sees Ito Kentaro as Shizuya, the only son of the Shinsen Group, the largest yakuza group in Kanto,. However, Shizuya has zero interest in the yakuza and wants to be a regular civilian. He is perfectly happy working at a design company, living a simple, puritan life and lusting after his colleague Akino.

Patrick Frater Asia Bureau Chief Recently-released titles by – very different – Japanese film icons Yamada Yoji and Shimizu Takashi adorn the TIFFCOM sales slate of Shochiku, one of Japan’s oldest and most powerful film studios. The 91-year-old Yamada, known for classics including “The Yellow Handkerchief” and “The Twilight Samurai,” is behind “Mom, Is That You?,” a heartwarming drama that marks the third picture in his recent “Mother” series, following “Kabei, Our Mother” and “Nagasaki: Memories of My Son.” Starring Yoshinaga Sayuri and Oizumi Yo, the film tells how a dissatisfied salaryman pays a rare visit home and discovers his mother’s previously hidden fashionable and outgoing sides. It released in Japanese theaters on Sept.

Patrick Frater Asia Bureau Chief Hong Kong-based studio Edko Films will launch “Table for Six 2,” a sequel to its 2022 smash hit, at TIFFCOM, the rights market attached to the Tokyo International Film Festival. The heartfelt comedy is again written and directed by Sunny Chan, who enjoyed breakout success with “Table for Six,” a comedy-drama that starts with an awkward family reunion dinner where past and present romantic relationships are tangled and almost anything that could go wrong did. For the sequel. Chan has reunited the original cast – Stephy Tang, Louis Cheung, Ivana Wong, Lin Min Chen, Peter Chan Charm Man – for three weddings and their aftermath.

Patrick Frater Asia Bureau Chief Along with the expansion of streaming, among the unintended consequences of COVID and the SAG-AFTRA actors strike has been global consumers’ growing consumption of non-English-language films and TV shows. That in turn has elevated familiarity with and acceptance of Asian local shows and Asian performers – not just those riding the Korean wave.

Patrick Frater Asia Bureau Chief Lee Sun-kyun, star of Oscar-winning Korean film “Parasite,” is being investigated by police over his alleged drug use, Korean news media report. “Incheon Metropolitan Police Agency had begun an investigation into eight people, including the actor and the offspring of a chaebol [major family-controlled conglomerate], over allegations they took illegal drugs multiple times this year,” the publicly-owned Yonhap News Agency reported on Friday afternoon. The news outlet also reported that “while the police have not officially named Lee as a suspect, they are said to have discovered a lead in connection with the actor’s illegal activities.” There has been no explanation of what substances Lee is alleged to have used.

Patrick Frater Asia Bureau Chief Netflix has picked up rights to Japanese financial drama series “Trillion Game” from leading local broadcaster Tokyo Broadcasting System (TBS) and will begin airing it from Saturday. The show involves two young men – one a computer programming ace, the other a self-centered but charismatic entrepreneurial type – who have their early career moves thwarted by Dragon Bank and instead start their own company with the seemingly impossible ambition of building a trillion dollar company. They have no business plan and no capital and must come up with innovative ways to raise money and get ahead. The story was based on a manga originally written by Inagaki Riichiro and illustrated by Ikegami Ryoichi that was serialized in Shogakukan’s Big Comic Superior magazine from 2020. The TBS series, directed by Murao Yoshiaki, written by Habara Daisuke and produced by Matsumoto Akiko, Matsushita Hiromi and Kato Shoichi, began airing as weekly instalments in primetime evening slots from July 14 to Sept. 15.Meguro Ren, a member of the J-pop idol group Snowman, plays Haru Tennoji, the charming but tricksy protagonist.

Patrick Frater Asia Bureau Chief “This Time,” a romantic drama reminiscent of Richard Linklater’s “Before Sunrise” trilogy, but not officially based on it, has been picked up for global distribution by fast-moving sales company EST N8. The story follows two high school sweethearts who unexpectedly reunite in Los Angeles 23 years after they were separated in Jakarta and must decide if they’re still in love. The film, directed by Sebastien Tobler, stars Ken Kirby (“Good Trouble,” “Dynasty”), Leila Perry (“Filthy Animals”) and was produced by Theresa Chiu. It had its world premiere at the Los Angeles Asian Pacific Film Festival in May. The rights deal was brokered by Tenten Wei and Sophie Shi of EST N8.

Patrick Frater Asia Bureau Chief Amanda Nell Eu, director of breakout film “Tiger Stripes,” has disowned the censored version of the movie that launched in her native Malaysia on Thursday. “I do not stand behind the cut that will be shown in local cinemas […] the film that will be shown in local cinemas is not the film that we made, and it is not the film that won the Grand Prize of the Critics Week in Cannes,” said Eu in a statement (see below for full letter). The debut feature had received wide acclaim as the first Malaysian film in many years to play in Cannes, the first by a Malaysian woman director. It won a prize as best picture in Cannes Critics’ Week sidebar, will be the opening film of the Singapore International Film Festival and has been selected as Malaysia’s Oscar contender. Pitched somewhere between a coming-of-age drama and a body horror movie, the film tells the story of a 12-year-old who becomes the first among her friends to reach puberty.

Patrick Frater Asia Bureau Chief Chinese movie conglomerate Hengdian Films has inked a contract to fit Imax with Laser premium large format screen systems at 20 of its cinema locations. The order is the Imax’s largest recorded during the past four years. Hengdian Films is a pre-existing Imax client and the new deal will expand its Imax screen count to 27 when completed.

Patrick Frater Asia Bureau Chief The inaugural edition of the Cinema at Sea – Okinawa Pan-Pacific International Film Festival will be held next month (Nov. 23-29) on the Japanese island of Okinawa.

Patrick Frater Asia Bureau Chief Acclaimed film-making duo Kamila Andini and Ifa Isfansyah take a calculatedly side-on approach to Indonesian societal history in “Cigarette Girl,” a new Netflix series that releases on Nov.1 and which premiered its first episodes at the Busan International Film Festival earlier this month. Starting with a wealthy family about to lose its aging patriarch in 2001, the series uses flashbacks to the 1960s to uncover not only the origins of the family’s herbal cigarette or ‘Kretek’ fortune, but also the hidden romance underlying it. And it highlights the overbearing and only slowly changing societal pressures placed on women, from high and low ranks, even as Indonesian politics and government underwent tectonic shifts. Ahead of the Busan premiere Andini and Isfansyah told Variety how their lush and romantic treatment is both a product of changing society and a way of facing up to recent Indonesian history.Watch the new trailer here.

Patrick Frater Asia Bureau Chief Taking a positive look at visual impairment, rather than focusing on it as a disability, “Coyote Ugly” star Adam Garcia joins producer and actor Tsu Shan Chambers in the lead roles of “My Eyes,” a drama film now shooting in Melbourne, Australia. When optometrist Alana discovers her daughter has a rare inherited eye disease, she must look into her past to realize her vision for the future. She discovers that a judo athlete with a visual impairment halfway across the world may hold the answers she seeks.

Patrick Frater Asia Bureau Chief VVS Films, a leading Canada-based film distributor, will expand its operations to Australia and New Zealand. A24’s Nicolas Cage-starring comedy “Dream Scenario” is set as its first title for the new markets and will release on Jan. 1, 2024.

Patrick Frater Asia Bureau Chief Sony Pictures has acquired the English-language remake rights to Chinese comedy drama, “Hi, Mom,” which until recently overtaken by “Barbie” had been the world’s highest grossing film directed by a solo female. The original picture, directed by Jia Ling and released in early 2021, sees a young woman whose mother has been fatally injured in a car accident, travel back to the early 1980s where she becomes best friend to the younger version of her mother. That enables her to work on giving her mother a better life than first time around.