Selena Marie Gomez (born July 22, 1992) is an American singer, songwriter, actress, and television producer. After appearing on the children's series Barney & Friends (2002–2004), she received wider recognition for her portrayal of Alex Russo on the Emmy Award-winning Disney Channel television series Wizards of Waverly Place, which aired from 2007 until 2012.
Gomez also starred in the films Another Cinderella Story (2008), Princess Protection Program (2009), Wizards of Waverly Place: The Movie (2009), Ramona and Beezus (2010), and Monte Carlo (2011). Thereafter, she focused on more mature roles in Spring Breakers (2012), Getaway (2013), The Fundamentals of Caring (2016), and The Dead Don't Die (2019). She voices the character of Mavis in the Hotel Transylvania film franchise, and serves as an executive producer of the Netflix television drama series 13 Reasons Why (2017–present) and the Netflix documentary series Living Undocumented (2019).
Vanessa Anne Hudgens (born December 14, 1988) is an American actress and singer. After making her feature film debut in Thirteen (2003), Hudgens rose to fame portraying Gabriella Montez in the High School Musical film series (2006–2008), which brought her significant mainstream success.
The success of the first film led to Hudgens' acquiring a recording contract with Hollywood Records, with whom she released two studio albums, V (2006) and Identified (2008).
McKinley Franklin editor Rapper Travis Scott stars in the first trailer for his and director Harmony Korine‘s indie film “Aggro Dr1ft,” which was shot entirely in infrared.
The short trailer is bathed in the starkly contrasted colors of the infrared lens, and it follows an assassin on his journey. “Breaking away from the traditional parameters of cinema, ‘Aggro Dr1ft’ explores the onslaught of digital ephemera and interrogates modern life through the vernacular of video games.
Shot entirely through an infrared lens, the film follows a Miami Beach hitman as he embarks on the relentless pursuit of his next target,” reads the logline. “As it is, ‘Aggro Dr1ft’ is visually thrilling but somewhat tedious to sit through — better as wallpaper than the main attraction,” wrote Variety chief film critic Peter Debruge in his review. “Still, as with James Cameron’s ‘Avatar,’ there’s wisdom in the generic quality of his script.
Cameron was dinged for comic book dialogue and story, but I’ve always argued that was a smart approach for a film in which every other aspect — three-dimensional, 10-foot, blue-skinned alien creatures in an all-virtual world — was potentially mind-blowing.
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