Courtney Howard The best jukebox musicals, whether on stage or screen, weave together popular, pre-existing songs from an artist with a compelling story beating at its core.
But not all that use chart-toppers go on to become hits themselves. For every “Mamma Mia!,” which harnessed the power of Abba’s pop bombast, there’s a “Good Vibrations,” which failed to deliver similar positive vibes from Brian Wilson and The Beach Boys’ music.
Unfortunately, “Glitter & Doom” nails only half of its goals in gifting audiences with an ebullient queer love story centered on two performers, featuring songs from the Indigo Girls.
Frenetic, repetitious and simplistic, it relies heavily on the stylized spectacle of the song numbers and lyrics to bolster the disappointing drama.
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