Gareth Edwards Said He Was Offered 2 ‘Star Wars’ Films & Says Lucasfilm May Still Want To Make The One He Passed On

Prince Harry and Meghan Markle have tarnished the Royal Family brand following their bombshells, says a royal expert.

The Traitors winner Meryl Williams has revealed she quit her customer service job last year after winning the jackpot prize.

Kate Middleton is believed to enjoy the same nutritious breakfast every day, and it's simple to recreate at home.

A ban on American Bully XL dogs is looking more likely, as the UK Government said it was close to defining the breed.

Anyone who struggles with acne will know how difficult it can be to try and get rid of a breakout.

Ayr United's new sports scientist believes his appointment is further proof of the club's aim to make the big time. Ben Watkiss is two months into the Somerset Park role having left behind his Midlands roots.

The Green Brigade have hit out at the Celtic board for 'disingenuous claims' - and will hand out Palestine flags to fans who want them before their upcoming clash with Atletico Madrid.

The 2023 Gotham Awards nominations are here!

Blake Lively and Ryan Reynolds walk arm-in-arm and enjoy the beautiful fall weather in New York City on Tuesday morning (October 24).

The CW has made several renewal and cancellation decisions this year that fans are going to want to see.

Jason Kelce is looking out for his little bro.

Taylor Swift now has BOTH parents’ approval!

Tristan Thompson’s first baby momma wants him to pay up!

Well, it’s true. Britney Spears wrapped up writing her book before her messy divorce from Sam Asghari, and because of that, he gets a glowing review in The Woman In Me!

Britney Spears was NOT a fan of this!

A young woman sadly died in Philadelphia last year after consuming something potentially dangerous from… Panera Bread?!

Britney Spears really struggled with postpartum depression.

As Matthew Vaughn makes the press rounds to promote his upcoming movie “Argylle,” in theaters next February, he’s talked about all sorts of topics, from his burgeoning spy cinematic universe at MARV to time working on the “X-Men” series. So how does Vaughn weigh in on the apparent superhero movie fatigue that’s permeating moviegoing recently? In a new interview with ScreenRant, the director stated that “maybe we all need a little bit of time off from” superhero films, at least until somebody makes one that gets audiences truly excited again.

ONE Music Fest.On Oct. 28-29, the annual extravaganza returns to Atlanta’s Piedmont Park for two days featuring the biggest names in Hip-Hop and R&B.Just a few of the mega headliners on this year’s star-studded bill include Kendrick Lamar, Janet Jackson, Megan Thee Stallion, Brent Faiyaz and Bryson Tiller.They’ll be joined by Tems, Kodak Black, Coi Leray, Key Glock and Chief Keef.Plus, old school favorites like Nelly, T-Pain, Lil Kim, Jadakiss and Fat Joe will be there on the “50 years of Hip-Hop stage” too.And, of course, Big Daddy Kane, Too Short, Waka Flocka, KRS-One and El DeBarge to round out the lineup.We’re barely scratching the surface too — all in all, 49 acts are set to take the stage at this year’s ONE Music Fest.Want to go?As of now, it isn’t too late to pick up last-minute tickets.At the time of publication, two-day general admission passes are going for as low as $250 before fees on Vivid Seats.Single-day passes are currently going for more than $250 — therefore, your best bet is to grab tickets that will get you in on both Saturday and Sunday.Need a few more details before smashing that buy button?Keep scrolling.We’ve got all the details you’re looking for and more about the 2023 ONE Music Fest below.All prices listed above are subject to fluctuation.A complete breakdown of all the best prices on single and multi-day passes for the festival can be found here:(Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and include additional fees at checkout.)Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

Jazz Tangcay Artisans Editor Gareth Edwards’ “The Creator” was a resourceful sci-fi endeavor with an $80 million production budget, but its visuals are on par with epic blockbusters that cost three times that amount. Rather than shoot on a studio backlot, the filmmaker behind “Godzilla” and “Rogue One: A Star Wars Story” opted to shoot in eight different countries, including Nepal, Thailand, Vietnam, Cambodia, Indonesia and Japan. For an all-out climatic action sequence set in Thailand, a village comes under attack by the U.S.

Does any film really need a full six-hour documentary devoted to it? Honestly, you would be hard-pressed to think of one single film that deserves a multi-episode docuseries analyzing every aspect of its creation. And yet, the filmmakers behind “RoboDoc – The Creation of RoboCop” did just that.

With a budget of $80 million—a pittance compared to the budgets of most modern blockbusters— Gareth Edwards has made his long-awaited return to science-fiction on the big screen with “The Creator,” a provocative sci-fi adventure set roughly 50 years in the future, where Western society is devastated by and at war with artificial intelligence (read our review). Whereas the East, having not undergone a similar tragedy, has embraced and fostered the technology.

Michaela Zee “Rogue One: A Star Wars Story” director Gareth Edwards is once again addressing the multiple reports about the 2016 film requiring extensive reshoots overseen by Tony Gilroy (the eventual “Andor” creator was hired by Lucasfilm to join the “Rogue One” team in June 2016). On a recent episode of KCRW’s “The Business” podcast, Edwards claimed “there is so much inaccuracy” surrounding the making of the “Star Wars” prequel.

Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records.

Rebecca Rubin Film and Media Reporter Paramount’s animated sequel “PAW Patrol: The Mighty Movie” topped the box office in its debut, earning a solid $23 million from 3,989 North American locations over the weekend. Those ticket sales were more than enough to rule over the three other new nationwide releases, which could be categorized as the good (Lionsgate’s gruesome “Saw X“), the meh (Disney and New Regency’s sci-fi thriller “The Creator“) and the ugly (Sony’s Game Stop stock-inspired “Dumb Money“). “Saw X” took second place with $18 million, an impressive start for the 10th entry in the long-running horror series.

Rogue One director Gareth Edwards‘ new movie The Creator is now in theaters and it’s an epic sci-fi action thriller that will definitely have audiences excited!

Todd Gilchrist editor As costs spiral upward for production infrastructure, visual effects and good old fashioned star wattage, blockbuster budgets tend to be one of the closely guarded secrets in Hollywood. Yet in the weeks and months leading to the release of “The Creator,” due Sept.

Flashback looks back on fascinating stories or artifacts of the past, not necessarily tied to today’s news but still relevant and sometimes extra-significant in relation to today’s ever-evolving context. As we all know, “Rogue One: A Star Wars Movie” underwent major reshoots, apparently to salvage the film.

Jordan Moreau Move over, Barbenheimer, it’s time for Saw Patrol. This weekend sees the releases of four major movies, including Paramount’s family friendly “PAW Patrol: The Mighty Movie,” Lionsgate’s gory, R-rated “Saw X,” 20th Century’s sci-fi epic “The Creator” and “Sony’s GameStop stock story “Dumb Money.” “PAW Patrol” is expected to come out on top with an estimated $18 million to $20 million opening, but “Saw X” will be right on its tail with an estimated $15 million to $18 million. However, some projections go as high as $20 million to $25 million, overtaking the “PAW Patrol” pups.

“No one is really creating original sci-fi blockbusters anymore, it’s an endangered species.”

Gareth Edwards returns to theaters this weekend with “The Creator,” a sci-fi epic that’s his first feature since 2016’s “Rogue One: A Star Wars Story.” But is a return to big-budget blockbuster filmmaking for the director? Kind of, sort of, but not quite. “The Creator” boasts an $80 budget, still a hefty price tag these days, but mild in comparison to the estimated $265 million for “Rogue One” and the $160 for Edward’s 2014 film “Godzilla.” READ MORE: ‘The Creator’ Final Trailer: Gareth Edwards’ Sci-Fi Epic About The War Between Humans & A.I.

A familiar mélange and pastiche of sci-fi-tropes you’ve seen and felt before, filmmaker Gareth Edwards’ science-fiction drama, “The Creator,” is recognizable but, nonetheless, largely compelling— skillfully understanding the crucial balance of blockbuster scale and grounding character intimacy. Its intriguing examination of what constitutes a sentient being—coupled with its aesthetic mix of lo-fi, gritty, and grimy tech blended with sleeker, cleaner, and austerely traditional visual references to the future— makes for an engaging experience clearly designed for the big screen.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events.

Peter Debruge Chief Film Critic The creator of “The Creator,” Gareth Edwards, started his filmmaking career teaching himself VFX at home. He’s an innovator on that front, devising ways to generate creepy CG monsters for “Monsters” more than a dozen years ago, then overseeing deceptively massive blockbusters, like “Godzilla,” ever since (deceptive because much of that stunning scale comes from virtual detail added in post).

Director, Producer, and Co-Writer (with Chris Weitz) Gareth Edwards (Monsters, Godzilla, Rogue One: A Star Wars Story) has been working on his idea for an original science fiction tale involving human interaction with advanced AI childfor many years. Now that The Creator is finally reaching the screen I would say it is more like science fact, or at least a plausible facsimile. With recent warnings from Silcon Valley leaders about imminent dangers with the alarming speed of AI progress, and all the talk (especially with the guild strikes) about the threat of AI technology invading and possibly even shifting out of our control in frightening ways, Edwards has cooked up a hell of a story in which AI just might be the good guys – or robots as it were – in a world where humans could be losing the upper hand.

Naman Ramachandran Disney’s Agatha Christie adaptation “A Haunting in Venice” stayed atop the U.K. and Ireland box office for the second successive weekend with £1.4 million ($1.8 million), per numbers from Comscore. The film, directed by Kenneth Branagh, where he plays detective Hercule Poirot, now has a total of £4.9 million after two weekends in release.