Not sure that I would equate Tom Holland and Zendaya with the same level of triple-A star firepower as Richard Burton and Elizabeth Taylor, but the last time I witnessed sheer frenzied pandemonium outside the Duke of York’s Theatre was when Taylor went to see Burton read excerpts from Dylan Thomas’ Under Milk Wood in February 1982.
It was bonkers, with onlookers five deep on both sides of the street waiting for a glimpse of the superstar much-married Hollywood lovers.
Four decades on, I found myself at the same theatre that has stood on the site in St. Martin’s Lane since 1892. This time it was the occasion of the official opening night for Jamie Lloyd’s stark, modern-dress production of Shakespeare’s The Most Excellent and Lamentable Tragedy of Romeo & Juliet, to give its full title, starring Holland and Francesca Amewudah-Rivers as the tragic star-crossed lovers.
This time barricades were erected on either side of the theatre to prevent uninvited fans from crashing the foyer. There were hundreds of people waiting to spot Holland and Zendaya, nowhere near the numbers I recall eager to see Burton and Taylor.
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