Justine Triet’s “Anatomy of a Fall,” playing in Competition at this year’s Cannes Film Festival, begins with an interview between a writer and a student interested in her work.
It’s a lighthearted, almost flirty discussion where double entendres are part of a seemingly harmless game. It is pleasurable for Sandra (Sandra Hüller), the writer flattered by the attention, but also for us, the audience, as Triet’s writing always is: casual yet precise, revealing of characters’ personalities but always awake to the degree of performance in their behavior — in short, utterly believable and thrillingly human.
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