In our first encounter with Una (Elín Hall) and Diddi (Baldur Einarsson) in the long dusk of a Reykjavik spring night, they are thinking only of the future.
The immediate future: will they be able to sleep overnight together without Diddi’s flatmate noticing? The near future, meaning the next couple of days, when Diddi officially breaks off his longstanding relationship with his high-school sweetheart Klara and starts a new life with Una.
And the long term. A trip to Japan. A different life with a wider scope than Iceland can provide. “Should we make babies?” Diddi murmurs into Una’s ear as they lie, wrapped around each other like kittens, in his single-pillowed bed.
But when Diddi is killed in a freak fire in a road tunnel the next morning – a national disaster that claims upwards of a dozen lives – Una finds herself alone with her searing grief.
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