Nearly a quarter of a century ago, Ridley Scott’s “Gladiator” took the swords-and-sandals action of previous genre-definers “Spartacus” and “Clash of the Titans” and gave it new life, paving the way for further success in Zach Snyder’s 2007 outing “300” and that forgettable 2016 remake of “Ben-Hur.” It’s a tricky world to adapt, extending beyond the over-the-top energy of brutal combat and chariot races and into the realms of a bygone era’s political, interpersonal, and economics.
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