Todd Gilchrist editor Ostensibly a big-screen reboot of the 1980s television series of the same name, “The Fall Guy” is actually director and former stunt performer David Leitch’s love letter to both his wife, producer Kelly McCormick, and the undersung art of stunt work — only not always in that order.
Working closely with screenwriter and executive producer Drew Pearce, who previously scripted his “Fast and the Furious” spinoff “Hobbs & Shaw,” Leitch creates a clearinghouse of gobsmacking stunts (some truly record-breaking) while chronicling the tumultuous relationship between veteran stunt man Colt Seavers (Ryan Gosling) and first-time director Jody Moreno (Emily Blunt).
It’s quick-witted (and quick-footed) fun that bridges multiple generations of Hollywood moviemaking, melding together rom-coms and bombastic action into one blockbuster package.
Since making his screenwriting debut on Shane Black’s “Iron Man 3,” Pearce has developed an aptitude for conceiving stories that maintain a singular yet cohesive tonal balance.
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