Owen Gleiberman Chief Film Critic For some of us, “American Fiction” has a satirical audacity that’s funny right out of the gate, gathers speed and force on the runway — and then, somehow, just when the comedy should be taking off, it turns muted and moralistic instead.
I think the hitch is that after Jeffrey Wright’s Monk sells his fake memoir of Black street life, there’s a strong urge to see him — and the film — take a certain vengeful joy in how the book’s popularity skewers the racism of clueless white people.
Instead, Monk is made so miserable by what happens that the movie never allows itself to discover that joy. Had it done so, it might have been more like “The American Society of Magical Negroes,” a comedy of racial images that’s every bit as witty and scandalous as “American Fiction” (it almost feels like a kind of cousin to Cord Jefferson’s film), only this one follows through on the outrage.
The writer-director, Kobi Libii, wants to make us laugh and twist our heads at the same time. He brings it off. “The American Society of Magical Negroes” is a deftly observant fantasy comedy that stays true to its own irreverence.
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