Watching “Rosaline” one can’t help but think of the Shakespeare-inspired or period-set films aimed at teens in the late-’90s, like “10 Things I Hate About You” or “Ever After” to name just a couple.
They are smart, often stridently feminist through their character’s actions not just their words, and they don’t talk down to their audience or feel the need to make the source material “hip.” Yet, somehow Karen Maine’s latest film, based on a young adult novel by Rebecca Serle, achieves none of those feats.
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