th century Empress Sissi. Though Rosalie is a nobody in a small French village, her story resonates similarly – a woman claiming her agency, demanding her right to be seen and exist in a world made rigid by received ideas.
But the world pushes back. The tendency to project shame, to “other” Rosalie conflicts with her own desire to embrace her sexuality and make others see her very evident physical beauty, despite a full, bushy blonde beard. (Trust me.) Or else she could just give in to the very real impulse to run away and join the circus.
Di Giusto trains her camera intensively on Tereszkiewicz ‘s smooth cheeks, her face, her expressive blue eyes drawing your attention even as you can’t help but notice a very bushy beard lining her jaw.
The beautiful cinematography in the wild countryside contrasts with the tightly-laced, literally buttoned-up wardrobe of Rosalie, which strains to contain her.
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