Brent Lang Executive Editor of Film and MediaRay Romano was stressed out.It was the night before he was supposed to start filming “Somewhere in Queens,” his directorial debut, and Romano wasn’t sure he was up to the challenge.
He’d already peppered his agent with calls warning him he thought he needed to drop out. Oh, and he’d been forced to go to the cardiologist to undergo a stress test after he started having chest pains in the lead-up to shooting.
But now, the pressure he was feeling was manifesting itself in a bizarre way. As he was going to dinner with the producers and Maceo Bishop, the film’s cinematographer, Romano drove through an intersection as the light turned from yellow to red.
When the camera flashed to capture his license plate number, something strange happened. “For the next couple of blocks, everybody I saw had a green face,” Romano remembers. “I thought, ‘What is going on?’ I had to pull over, call my doctor and tell him, ‘I’m seeing green.'”The next day, he snagged a 7 a.m.
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