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Pete Docter Opens Up About the Past, Present and Future of Pixar

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Why do I exist? What’s the point of being alive? What comes after?” A.O. Scott wrote in the New York Times. “’Soul’ tries, within the imperatives of branded commercial entertainment, to carve out an identity for itself as something other than a blockbuster or a technologically revolutionary masterpiece.

It’s a small, delicate movie that doesn’t hit every note perfectly, but its combination of skill, feeling and inspiration is summed up in the title.”Docter loves animation – all kinds.

He worked on localized versions of Miyazaki’s masterpieces (“John Lasseter was a big champion of those films, and even though they were not doing great economically for the studio, artistically, he felt like it was important to get them out there”) and has written extensively about the classic films of Walt’s heyday.

There were rumors that Docter’s wife used to drive him to work at Pixar and pick him up when his day was over. Otherwise he’d be there all night.These days Docter serves a different function.

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