Leo Barraclough International: Celebs Rumors

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All news where Leo Barraclough International is mentioned

variety.com
Marco Bellocchio’s Cannes Competition Title ‘Kidnapped’ Sells to Further Territories
Leo Barraclough International Features Editor Following the announcement of the North American acquisition by Cohen Media, The Match Factory has revealed further sales in key territories for Marco Bellocchio’s Cannes Competition title “Kidnapped.” The film adapts the true story of the kidnapping of the young Jewish boy Edgardo Mortara, starring Paolo Pierobon, Fausto Russo Alesi, Barbara Ronchi, Enea Sala and Leonardo Maltese. The film has its release secured in the following territories: U.K. and Ireland (Curzon), Australia and New Zealand (Palace Entertainment), Japan (Fine Films), Latin America (Cine Video y TV), Spain (Vertigo Films), Benelux (Cherry Pickers), Switzerland (Agora Films), Poland (Best Film), Portugal (Alambique), Greece and Cyprus (Rosebud.21), Czech Republic and Slovakia (Aerofilms), Ex-Yugoslavia (MCF Megacom), Hungary (Vertigo Media), Baltics (Kino Pavasaris), Bulgaria (Art Fest), Israel (United King Video), Ukraine (Traffic Films), Taiwan (Light Year Images) and Indonesia (Falcon Pictures). Further territories are in negotiation.
variety.com
Left-Wing Director Ken Loach, Writer Paul Laverty on the Poisonous Seed-Bed for Far Right Politics in Britain’s Rust-Belt Communities
Leo Barraclough International Features Editor In “The Old Oak,” which played in Competition in Cannes, Ken Loach portrays a village in the North-East of England where the indigenous white community comes into conflict with Syrian refugees – a conflict fuelled by the despair, deprivation and decline of the rust-belt region. Such conditions can be a seed-bed for far right groups, the director tells Variety. Such issues have not been explored sufficiently in film and television, Loach says, and he draws a parallel with the portrayal of the rise of Nazism in Germany in the mass media. “We have endless programs about the Second World War, about the horrors of Nazism and fascism, about the racism, about the Holocaust. Quite properly, we have endless programs about that, but what they refuse to point out is that that arose from alienation, anger, feeling cheated, and finding scapegoats. And that’s how we ended up with Hitler, and that’s the ground in which the far right flourishes. One of the points of the film is to say: This is the cause of fascism. This is where it comes from. This is its seed-bed, and it comes as an inevitable consequence of our economic system. Because if the neoliberal agenda was an essential development for capitalism, to use the old-fashioned word, then that’s where fascism comes from. Implicit in that is that the far right will rise because that’s how people will be heading. And they know that and yet the mass media, the press, just turn their backs on that. They’ll tell us all about the horrors of Hitler. Sure. But they won’t tell us how he came to power. And that’s the huge lesson. And we see it in essence now all the time.”
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