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Udine’s Far East Film Festival Gives Double Prizes to Japan’s ‘Takano Tofu’

Patrick Frater Asia Bureau Chief “Takano Tofu” claimed double honors on the closing night of the Far East Film Festival in Udine, Italy. It won the Golden Mulberry audience award and the MyMovies Purple Mulberry award. Directed by Mihara Mitsuhiro, “Takano Tofu” is a melodrama about an elderly tofu-making craftsman, who is stuck in his ways but is also experimental and who is kindly, but whose stubbornness brings suffering on those around him.
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Why Hollywood’s China Syndrome Is Both Meltdown and Opportunity
Patrick Frater Asia Bureau Chief It seems Hollywood’s “sequel-itis” has reached China’s box office too. Despite the country’s dramatic overnight removal of COVID restrictions in December 2022 and film imports quickly restarting with the triumphant debut of “Avatar: The Way of Water,” Hollywood’s new normal in the Middle Kingdom bears little resemblance to its pre-pandemic status. During the three-year disruption of 2020-22, caused by the pandemic and soured U.S.-China diplomatic relations, few Hollywood films — and no Marvel titles — made their way onto Chinese screens. But if Hollywood studios read the $240 million-grossing “Avatar 2” feeding frenzy as a sign that pent-up Chinese demand for their sequels and superheroes slate might continue throughout 2023, they were sorely disappointed. In the world’s second-largest box office territory, with a cume to date of $7.3 billion, the market share for all imported films in China has crashed, standing at less than 15% at the beginning of December. Hollywood films’ share is just 12%, consultancy Artisan Gateway calculates. This month, “Napoleon” and “Wonka” have continued the trend of dismal flops, with $5 million and $3 million opening weekends, respectively. The slump is particularly disappointing given that the Chinese authorities that carefully control the film industry have this year made several moves designed to put Hollywood releasing back on the rails.
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