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‘Palm Royale’, ‘The Crown’ & ‘The Gilded Age’ Costume Designers On Dressing For A Higher Social Standing

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deadline.com

No matter how popular a clothing style may be in the world of high fashion, trends are made to come and go. This Emmy season has costume designers doing the work of interpreting those trends for a new era.

Palm Royale tracks the fashion of one woman trying to fit in with the high society of 1960s Palm Beach, where she seems to often just miss the mark.

The Crown gives the Queen a bolder color palette and a look of defiance for one final send off. Taking cues from painters of the 1880s, The Gilded Age builds on a framework of fashion trends from multiple decades. Palm Royale For costume designer Alix Friedberg, Palm Royale presented a great opportunity to explore the innovative fashion of the time. “They call it the fashion revolution for a reason,” she says. “The late ’60s was a very flamboyant time, and there was a lot of peacocking going on with men and women.” While there weren’t any specific styles for Friedberg to draw from, the inspiration came from how designers were experimenting with silhouette. “The ditching of the structured undergarments played a big role in the freedom that designers had in that time.” At the Palm Royale Country Club, Friedberg kept the costume design to a tight color palette. “It was pastels and whites, and really sort of bright sherbet colors,” she says. “No denim, nothing earth tone and nothing too dark navy that popped.

We really kept it light and bright and crisp, so you always knew where you were by the palette.” This was to give a contrast between the “haves and the have-nots” in West Palm Beach. “That palette was a bit more in that late ’70s, sort of avocado and salmon colors, the offshoot things that have a patina on them.

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