Ben Croll Sex, drugs and rock’n’roll were but three of the shared subjects animating the Annecy Animation Showcase, presented as part of the Marché du Film at last month’s Cannes Film Festival.
Marking its fifth edition, this year’s work-in-progress spotlight imparted a decidedly adult flavor, with a preponderance of showcased titles tackling outré material for mature crowds. “On the market side, adult-skewing projects are no longer a trend,” says Annecy chief Mickaël Marin. “The form is now well-established.
Of course, global platforms have opened new doors and widened the field of possibilities, so we encourage financiers and broadcasters if not to take risks, then to at least explore new avenues beyond traditional family animation.” Of the five projects presented at the Cannes showcase, “Hina is Beautiful,” from Japan’s Iwaisawa Kenji, and “Rock Bottom,” from Spain’s María Trénor, both deploy a similar, rotoscoped 2D style towards wildly different ends.
A Spanish-Polish co-production, fully-financed and aiming for a festival berth early next year, Trénor’s “Rock Bottom” offers a loose and liberated riff on the life (and work) of British rocker Robert Wyatt.
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