Pay deals in the U.S. and the streamer reset’s impact on international TV development were among the topics at the opening panel of the Berlinale Series Market this morning in Europe.
During the panel at the EFM event, Gersh partner Roy Ashton described that while production costs have gone up significantly over recent years, writer pay had not kept up with the inflation.
He suggested indie producers, writers and agents should collaborate more to ensure packages lead to better financial deals when they approach streamers or studios.
Ashton noted that the model behind Netflix’s hit action series The Night Agent, which has been viewed tens of millions of times on the service, meant its writing team did not receive more than originals shows launched at the same time that performed far worse.
Read more on deadline.com
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