William Earl administrator Sydney Sweeney is one of Hollywood’s biggest stars, but fans are sure to be shocked by her wild new horror movie that pushes her creativity in front of and behind the camera to new extremes. “Immaculate” is the third project that director Michael Mohan and Sweeney have collaborated on, after the 2018 series “Everything Sucks!” and the 2021 thriller “The Voyeurs.” Their newest creative vision is a project filled with twists, blood and a surprising amount of horniness for a movie set at an Italian convent.
Sweeney plays Cecilia, an American nun who transfers to Italy and is forced to face a lot of dark secrets hidden in the walls of the gorgeous nunnery.
Sweeney is also a producer on the film, which is set to debut on Tuesday at this year’s South by Southwest festival. Mohan spoke with Variety about the unlikely genesis of the project, the importance of cinema not shying away from sensuality onscreen and how Sweeney was able to make the movie even scarier. What was the genesis of “Immaculate”? It’s the first film I’ve directed that I did not write myself.
Andrew Lobel wrote this script about 18 years ago, and in the mid-2010s it was about to be made with a studio. Sydney, when she was 15 or 16, auditioned for the lead role.
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