For decades now, indie filmmaker Nicole Holofcener (“Friends With Money,” “Lovely And Amazing,” “Please Give”) has been delivering sharply observed, bitingly hilarious, empathic, complex comedies about the human condition, family, and life’s ordinary struggles.
Often compared to Albert Brooks, Woody Allen, and Walt Stillman, filmmakers of somewhat similar urbane comedies, Holofcener’s always had a tenderness and humanity that maybe seemed a little too far out of reach of those dudes, and yet, never dulling her comedic blade.
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