Anna Kendrick’s “Woman of the Hour” begins at a remote photo shoot in Wyoming circa 1977. The model finds herself talking about how she wound up living there, and as she does, she starts to cry.
The photographer, the only other person there, tries to comfort her. “Just keep talking, okay?” he pleads, tapping his heart.
What a sensitive guy! So she tells him her sad story (between apologies for doing so), and then, at that moment of complete vulnerability, he puts his hand around her throat.
Continue reading ‘Woman Of The Hour’ Review: Anna Kendrick’s “Dating Game Killer” Drama Is An Impressive Directorial Debut [TIFF] at The Playlist..
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