You’ve seen Women Talking, welcome to Women Swearing: Wicked Little Letters, Thea Sharrock’s fantastically funny feature puts Jessie Buckley and Olivia Colman together in the filthiest pairing since Derek met Clive in the late 1970s.
Set in 1920, it’s based on a story that, per the credits, is “more true than you’d think”, which, when you get to the end of it, is quite a claim.
Think what a hip, modern and actually funny Carry On spoof of Call the Midwife might look like, scripted by the Coen brothers, shot with a little visual nod to Wes Anderson, and dictated by a screenwriter with Tourette Syndrome.
Throw in a bit of St. Trinian’s moral anarchy (Launder and Gilliatt version only) and you have the runaway British comedy of the year, a sometimes cry-laughing four-letter smackdown that might well benefit from the awards-season envelope currently being pushed by Yorgos Lanthimos’s Venice-winning Poor Things.
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