Column: Celebs Rumors

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Veteran Exec Preston Beckman Weighs In On Importance Of TV Schedulers: “They Are Always The Smartest People In The Room” – Guest Column

Editors note: On October 10, Deadline posted a story summarizing a Medium column written by Jim McKairnes, a former SVP Planning for CBS who’s spent the past 13 years teaching TV history at the college level. The title of his piece was “Scheduling a TV Memoriam: An RIP Of Sorts for a Once-In-Demand Television Industry,” which, among other things, said that scheduling “is the word that’s slowly becoming irrelevant to the medium, having less and less meaning as television itself comes to mean more and more.”
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Jesse Andrews On ‘Me And Earl’ And The Book-Banning Girls In Tallahassee, Florida – Guest Column
Editor’s note: Jesse Andrews is author of the novel Me and Earl and the Dying Girl, which is one of five books pulled from the library shelves of high schools within the purview of Tallahassee, Florida-based Leon County Schools superintendent Rock Hanna, after the Leon County chapter of the conservative group Moms for Liberty petitioned the schools to remove the book because of the frank depiction of sex and gender identity issues. The others include Push, the Sapphire-penned book that inspired the film Precious;Doomed by Fight Club author Chuck Palahniuk; Lucky by Alice Sebold; and Dead End by Jason Meyer. Still being scrutinized is an autobiography of tennis great Billie Jean King, because it discusses her sexuality. This has been an ongoing theme precipitated by policies passed by Gov. Ron DeSantis and legislative Republicans. DeSantis is running for president and probably figured to ride his brawl with Disney into the White House, until Bob Iger began pushing back in ways that have cost revenue and investments it planned for the state of Florida, where Disney is its largest taxpayer and employer. What’s it like to see your book banished for, as Moms for Liberty argued in its email to the school board, violate state law and subject school district personnel to potential felony prosecution and litigation? Here, Andrews — also a screenwriter whose credits include co-writing with Mike Jones Pixar’s Luca — explains it all.
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Black Equity Television: Why Paramount Global Should Turn BET Into a Community-Owned Network (Guest Column)
Kyle Bowser Recent news reports suggest Paramount Global may be considering a sale of its cable channel BET. Further reports identify media moguls Tyler Perry, Byron Allen, Sean “Diddy” Combs and a partnership comprised of Shaquille O’Neil, 50 Cent, and Kenya Barris as prospective buyers of the platform, which was originally created to offer programing targeted toward Black viewers. Each of these potential suitors is more than worthy of the opportunity to helm such a significant portal of Black imagery. Still, a greater agenda raises additional considerations and a distinctive option for ownership. Founded by Robert L. Johnson in 1980, BET has been a primary hub for Black-themed content since its inception. Johnson sold the cable channel to Viacom in 2001 for $3 billion, resulting in an infusion of capital and infrastructure expansion, to include the addition of BET+ and BET Her. The broadcast schedule is populated with original scripted and unscripted programming, as well as acquired off-net fare, with daily viewership currently hovering near 1.7 million and annual ad revenues exceeding $215 million. While the mere existence of BET has demonstrated the power of the Black economy, its celebration of Black culture further highlights its prominence and influence.
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