‘Taxi Driver’ Writer Paul Schrader Slams Oscars ‘Need to Be Woke’

thewrap.com:

via Twitter). “I rather like the provincial origins of the Oscars: Hollywood coming together to celebrate its own.”JUST IN: Paul Schrader, writer of TAXI DRIVER (1978) and world-renown filmmaker responsible for FIRST REFORMED (2018) and THE CARD COUNTER (2021) calls Oscars too “woke” and says the Oscars are too “international” and must “return to its origins.” pic.twitter.com/ARVxlrVjN6Schrader continued, less coherently: “Barry Diller is right.

If the Oscars are to save themselves they must return to their origins. The Oscars mean less each year. The reasons for this are clear: the need for revenue compounded by debt carried by the museum and lowering film revenues and the scramble to be woke.”It’s unclear what, exactly, Schrader is so bent out of shape by. “All Quiet on the Western Front,” which is indeed an international feature, picked up four awards last night.

It is the fourth foreign film to take home this many Oscar statues, after “Fanny and Alexander,” “Crouching Tiger, Hidden Dragon” and “Parasite.”Instead, Schrader’s screed feels outwardly racist, as he was clearly miffed by the amount of wins for “Everything Everywhere All At Once,” which features a predominantly Asian cast and is directed, in part, by an Asian-American filmmaker.

What’s especially weird about Schrader’s comments is how deeply influenced he is, as a director himself, by foreign filmmakers. “Mishima: A Life in Four Chapters,” arguably his greatest accomplishment as a director, is filmed entirely in Japanese while adopting the style of Japanese filmmaking; elsewhere in his filmography you can feel the influence of directors like Michael Antonioni and Bernardo Bertolucci.