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‘Saltburn,’ ‘Killers of the Flower Moon,’ ‘American Fiction’ Artisans and More Take Us Behind the Scenes at Variety’s FYC Fest: The Shortlist

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Variety rounded up some of our favorite creators behind several films recently shortlisted by the Academy to discuss the work that goes into making these now iconic cinematic moments.

From “American Fiction’s” score to the heartrending tunes of “Flora and Son,” the artisans went deep on their process and revealed the layers of thought and intent inside their work.

Check out each interview for those recognized including Documentary film, song, score, hair & makeup, sound and more categories.

Read recaps of their conversations below: “Saltburn” Original Score Conversation with Composer Anthony Willis When it came to scoring that haunting opening scene of Oliver Quick (Barry Keoghan) in Emerald Fennell’s “Saltburn,” composer Anthony Willis stresses that the use of the choir was a strategic decision. “So much of the film is the preoccupation of vanity and then feeling like you need to behave a particular way and then actually how you want to behave after the fact.

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