Alice Diop’s French drama Saint Omer opens in theaters today, and I remember the emotions I felt when I saw the film at Venice last year.
It was a very personal experience for me — as if someone was telling my story on screen. At the beginning of my eventual interview with Diop, I asked where she sees herself within the French film industry.
She made it clear she has stopped contemplating how she fits in. “It’s a question that I’m asked a lot, but I no longer ask myself where I fit in with French cinema,” she said.
Can’t blame her for thinking that way. Creators of color often are asked those questions — or about the state of inclusion in Hollywood and how they would improve it.
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