UK director Lynne Ramsay enjoyed international recognition early on in her career after short films Small Deaths and Gasman were invited to the Cannes and won the Jury Prize in its short film competition in 1996 and 1998 respectively. “That was the first film festival I went to.
It was so overwhelming,” Ramsay told a masterclass for the Doha Film Institute this week . “When Gasman won a prize and [Francis Ford] Coppola gave me the prize, that opened the way for me to make other films.” The film’s reception in L.A., when Ramsay showed them there as part of a British Film Institute talent showcase in the late 1990s, was less enthusiastic.
Revolving around a young girl who slowly discovers a puzzling side to her father’s life during an outing to a Christmas party, Gasman shows the protagonist and other characters from the waist down only in the opening scene and other parts of the film. “The Hollywood producers who saw it said, ‘Did the camera slip because you can’t see any heads’.
I thought, “Oh My God, you’ve really missed the point.” If you see the whole film, it’s really revealed in the details, this bigger picture about a tragedy at the centre of this family,” “It was scripted like that.
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