Dan Deleeuw Joe Russo Anthony Russo Sophia Di-Martino Adam B.Vary-Senior Kevin Wright state Oklahoma film show audience shootings photography McDonald’s UPS Dan Deleeuw Joe Russo Anthony Russo Sophia Di-Martino Adam B.Vary-Senior Kevin Wright state Oklahoma

‘Loki’ Director Talks Working With Tom Hiddleston, Why Sylvie Needs McDonald’s and Marvel’s VFX Artists Union: ‘I Support Everything They’re Doing’

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Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses some general plot developments in Season 2, Episode 2 of “Loki,” currently streaming on Disney+.

For 30 years, Dan Deleeuw has worked in visual effects, from “The Mask” to “Armageddon” to “Night at the Museum” — but he always had a dream that one day, he might get to direct.

That opportunity finally arrived in 2019, when “Avengers: Endgame” directors Joe and Anthony Russo — who’d worked with Deleeuw on VFX for their three previous Marvel Studios productions — hired him to shoot some additional photography for the behemoth production.

That gig led to second unit directing jobs on 2021’s “Eternals” and 2023’s “Ant-Man and the Wasp: Quantumania,” and then, finally, to the main directors chair for the second episode of Season 2 of “Loki.” Deleeuw, who oversaw visual effects on Season 1 of the show, presumed that he was hired because of his proficiency handling the action beats of the episode, in which Loki (Tom Hiddleston) and his TVA compatriot Mobius (Owen Wilson) pursue a rogue TVA trooper (Rafael Casal) to 1970s London, and then later reunite with Loki’s variant Sylvie (Sophia Di Martino) at a McDonald’s in 1980s Oklahoma.

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