state Minnesota: Celebs Rumors

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nypost.com
You won’t believe how insanely cheap last-minute Beyoncé tickets are
Beyoncé has concerts at Nashville, TN’s Nissan Stadium on July 15, Louisville, KY’s L&N Federal Credit Union Stadium on July 17 and Minneapolis, MN’s Huntington Bank Stadium on July 20 as part of her ongoing ‘Renaissance Tour’ and some seats are shockingly cheap.At the time of publication, we found tickets going for $101 before fees on Vivid Seats for her Nashville concert.This is where things gets crazy though — there are $44 tickets available for her Louisville, KY gig.Don’t forget, this is Bey we’re talking about.Yes, the 32-time Grammy winner, owner of eight number one hits and one of the best-selling artists of all time.So, yes, these unbelievably low Beyoncé prices are truly a steal.Tickets start at $62 before fees for the Minneapolis show.Want to see Beyoncé live at one of these upcoming ‘Renaissance’ concerts for a reasonable amount?Here’s everything you need to know and more about her three upcoming one-off gigs in Nashville, Louisville and Minneapolis.All prices listed above are subject to fluctuation.A complete breakdown of all the best prices on upper-deck, lower-level and floor seats for each of Bey’s shows from July 15-20 can be found below.(Note: The New York Post confirmed all above prices at the publication time.
variety.com
Bob Dylan Gave Notes on Timothée Chalamet’s Bob Dylan Movie: He ‘Personally Annotated’ the Script and ‘Has Been So Supportive’
Zack Sharf Digital News Director Timothée Chalamet’s Bob Dylan movie, “A Complete Unknown,” is supposed to kick off filming in August, but don’t call it a Bob Dylan biopic. During a recent appearance on the “Happy Sad Confused” podcast (via IndieWire), the film’s director, James Mangold, said “A Complete Unknown” is “not really a Bob Dylan biopic” but a movie about “a very specific moment” in the 1960s folk scene of New York City. The film’s specificity is one reason the real Bob Dylan “has been so supportive of us making it,” the filmmaker reasoned. “The best true-life movies are never cradle to grave but they’re about a very specific moment,” Mangold said. “In this case, it might be presumptuous to call it Altman-esque, but it’s a kind of ensemble piece about this moment in time, the early ’60s in New York, and this 17-year-old kid with $16 in his pockets hitchhikes his way to New York to meet Woody Guthrie who is in the hospital and is dying of a nerve disease. He sings Woody a song that he wrote for him and befriends Pete Seeger, who is like a son to Woody, and Pete sets him up with gigs at local clubs and there you meet Joan Baez and all these other people who are part of this world.”
DMCA