city Sarajevo: Celebs Rumors

+69

‘Never Look Away’ Review: Lucy Lawless Directs Fascinating Documentary on Death-Defying Photojournalist Margaret Moth

Joe Leydon Film Critic The thin line between cheating death and chasing it appears to have been smudged, repeatedly, by maverick video journalist Margaret Moth, the subject of first-time filmmaker Lucy Lawless’ fascinating documentary “Never Look Away.” At least, that’s the impression we’re left with at the end of this compact yet complex portrait of a singularly and aggressively unconventional war correspondent who inspired equal measures of admiration and anxiety among her friends, colleagues and lovers throughout her 20 years of assignments in the world’s trouble spots — Baghdad, Sarajevo, Afghanistan, Lebanon, Zaire, you name it, she was there — for CNN. Something of an enigma even to those closest to her — “I never fully understood what was ticking inside of her” is a comment typical of responses by interviewees questioned by an off-camera Lawless — Moth was fond of proudly proclaiming, “I live life to the fullest.” But it was a life she repeatedly risked by going places, doing things and recording wartime horrors with such little regard for her own safety that a CNN teammate warned her: “There’s only so much Russian Roulette you can play.” It was also a life that she more or less reinvented herself to portray.
variety.com

All news where city Sarajevo is mentioned

variety.com
‘Kiss the Future’ Review: U2 Makes Long-Distance Calls to a Besieged Sarajevo in Doc About Rock and War in the 1990s
Chris Willman Senior Music Writer and Chief Music Critic Watching “Kiss the Future,” a documentary about the band U2’s relationship with wartorn Sarajevo in the 1990s, it’s hard not to think: “We’ve seen this movie before.” That’s not to do with the doc itself so much as how aspects of the 30-year-old footage from Bosnia’s brutal civil war parallel what we’ve seen in the news coverage coming out of Ukraine for the past year. Both involve stranger-than-fiction (or stranger-than-fascism) scenarios of cosmopolitan cities suddenly subject to state terrorism, which makes the Matt Damon and Ben Affleck-produced film coincidentally timely, for all its belatedness. In a sense, “Kiss the Future” is the story of a long-distance romance, between a superstar rock quartet reaching its peak and a once-grand metropolis that’s bottoming out. In the early ’90s, genocidally minded Serbian president Slobodan Milošević tried to subject the happily mixed population of Sarajevo to ethnic cleansing by any means necessary. The area’s young people fought back in whatever spirit-lifting way they could — including founding underground discos, forming punk bands and otherwise keeping the arts alive as they dodged shelling and snipers. An American activist, Bill Carter, had the idea to enlist the stadium-filling U2 in publicizing their plight, which led to nightly satellite appearances by Sarajevo locals on the giant screens of the “Zoo TV” tour’s European leg.
variety.com
Croatian Director Juraj Lerotic’s Debut ‘Safe Place’ Wins at Resurgent Sarajevo Film Festival
Christopher Vourlias Croatian writer-director Juraj Lerotić’s “Safe Place,” an emotional story of a family reeling in the wake of a suicide attempt, took the top prize at the Sarajevo Film Festival, which wrapped a record-setting 2022 edition in the Bosnian capital on Friday night.The Heart of Sarajevo Award for best feature film was given by a jury headed by Austrian filmmaker Sebastian Meise (“The Great Freedom”), which included French filmmaker Lucile Hadžihalilović (“Earwig”), Croatian writer-director Antoneta Alamat Kusijanović (“Murina”), Serbian actor Milan Marić (“Dovlatov”) and Israeli producer and consultant Katriel Schory.“Safe Place” plays on Lerotić’s own pained family history, with the Croatian multihyphenate taking on the lead role in his deeply personal story — a performance that also earned him the award for best actor in Sarajevo. Fresh off a triumphant world premiere in Locarno, where the film won three awards including best first feature, “Safe Place” was described by Variety’s Guy Lodge as a “supremely poised and moving first feature” and a “shattering” debut, “with a long trail of further festival bookings surely ahead.”Ukrainian director Maryina Er Gorbach was named best director for “Klondike,” which portrays the brutal realities of the war unfolding in Ukraine’s Donbass region through the lens of a pregnant farmstead owner whose life and home fall apart.
DMCA