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variety.com
‘On the Adamant’ Review: Nicolas Philibert Returns With a Tender Tour of a Mental Health Sanctuary
Guy Lodge Film Critic Trends in documentary-making have shifted radically since Nicolas Philibert’s “Être et Avoir” was a surprise arthouse hit two decades ago: That sweetly observational little film, following the ins and outs of a village elementary school over the course of a year, seems a quaintly modest proposition beside today’s more slickly immersive and narrativized nonfiction breakouts. If times have changed, however, Philibert has not. “On the Adamant,” his first feature in 10 years, finds him once more examining the human workings of a care-based institution from a reserved but compassionate distance, avoiding commentary and editorialization in favor of real-life character portraiture. It turns out to be the right approach for the institution under scrutiny: The Adamant, a day-care center in central Paris for adults with a variety of mental disorders, offering its visitors a range of therapy, education and cultural activity. The human subjects here are both expressive and highly vulnerable, open to the low-key, non-invasive presence of Philibert’s camera, and the film is content to be an undulating patchwork of their everyday moods and moments, rather than anything more strenuously conceptual. Suited to specialist distributors and streaming platforms, “On the Adamant” might not achieve the crossover success Philibert has found in the past, but it’s a warm reminder of his perceptive gifts: A premiere slot in Berlin’s main competition, alongside much sleeker, more formally ambitious fiction fare, effectively welcomes him back to the auteur leagues.
variety.com
Jennifer Lawrence, Daniel Craig, Viola Davis Among Stars Lined Up for Variety’s Toronto Interview Studio
Variety Staff Follow Us on Twitter Variety will return to the Toronto Film Festival this year with its annual interview studio, in partnership with King’s Hawaiian. Running from Sept. 9 to Sept. 12, the Variety Studio presented by King’s Hawaiian will include interviews with cast members and directors from the top movies premiering at the Toronto Film Festival. Talent includes Hugh Jackman, Laura Dern, Florian Zeller and Christopher Hampton (“The Son”); Mark Mylod, Ralph Fiennes and Anya Taylor-Joy (“The Menu”); Gina Prince-Bythewood, Viola Davis, John Boyega, Lashana Lynch, Thuso Mbedu, Sheila Atim and Cathy Schulman (“The Woman King”); Rian Johnson, Daniel Craig, Janelle Monáe, Kate Hudson, Kathryn Hahn, Leslie Odom Jr. and Madelyn Cline (“Glass Onion: A Knives Out Mystery”); Darren Aronofsky, Brendan Fraser, Sadie Sink, Hong Chau, Ty Simpkins and Sam Hunter (“The Whale”); Peter Farrelly, Zac Efron and Ruby Serkis (“The Greatest Beer Run Ever”); Tyler Perry, Solea Pfeiffer and Joshua Boone (“A Jazzman’s Blues”); and Lila Neugebauer, Jennifer Lawrence and Justine Polsky (“Causeway”). Talent and creators from the following projects will also participate in the studio: “Inspection,” “The Fabelmans,” “Weird: The Al Yankovic Story,” “Bros,” “On the Come Up,” “The Good Nurse,” “The Eternal Daughter,” “Sanctuary,” “Empire of Light,” “Devotion” and “Catherine Called Birdy.”
variety.com
‘Petrov’s Flu’ Producer Ilya Stewart Launches Europe-Based Production Outfit Hype Studios (EXCLUSIVE)
Christopher Vourlias Producer Ilya Stewart has launched an independent studio based in Europe that will operate on a global scale, working with international talent and focusing on English-language feature films and television series, Variety can exclusively reveal. Hype Studios is the new venture from Stewart, the formerly Moscow-based producer who in recent years has been a fixture at the Cannes Film Festival, where his collaborations with Russian auteur Kirill Serebrennikov, including “Petrov’s Flu” and “Tchaikovsky’s Wife,” have premiered in competition. Among the co-productions with American and European partners currently on Hype Studios’ slate is Zach Wigon’s “Sanctuary,” starring Margaret Qualley and Christopher Abbott, which premieres as a Special Presentation next month at the Toronto International Film Festival and was produced with Rumble Films and Mosaic Films, along with Charades. Also on the slate is Pietro Marcello’s French-language “Scarlet,” produced in partnership with CG Cinéma’s Charles Gillibert, which opened this year’s Directors’ Fortnight in Cannes and will receive its North American premiere at the New York Film Festival.
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